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Meret Oppenheim

Parapapillon pendant/brooch, 1979

Silver
5 1/10 × 3 4/5 in
13 × 9.6 cm
Unique
location
London
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About the work
DL
Didier Ltd.
London
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Category: Web

Category: Web

Medium
Design/Decorative Art
Image rights
Didier Ltd, London
Meret Oppenheim
German-Swiss, 1913–1985
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A central figure in Surrealism, Meret Oppenheim painted dream narratives and impossible juxtapositions of everyday objects to explore female sexuality, identity, and exploitation. She famously posed for Man Ray’s Erotique voilée (1933), instantly becoming an object of romantic idealization to the Surrealists for her seemingly direct and spontaneous access to experiences of the dream world through her youth, charm, and openness. In her best-known works, Oppenheim painted household objects in suggestively erotic arrangements or created haunting assemblages of indeterminate origins, often transforming objects closely associated with feminine domesticity into erotic symbols. Object (1936), a fur-covered cup, saucer, and spoon, became her most iconic work. Through exhibitions and activities amongst the Surrealist circle, Oppenheim was closely associated with Jean Arp, André Breton, and Max Ernst.

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View in room
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Save
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view
View in room
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About the work
DL
Didier Ltd.
London
Follow

Category: Web

Category: Web

Medium
Design/Decorative Art
Image rights
Didier Ltd, London
Meret Oppenheim
German-Swiss, 1913–1985
Follow

A central figure in Surrealism, Meret Oppenheim painted dream narratives and impossible juxtapositions of everyday objects to explore female sexuality, identity, and exploitation. She famously posed for Man Ray’s Erotique voilée (1933), instantly becoming an object of romantic idealization to the Surrealists for her seemingly direct and spontaneous access to experiences of the dream world through her youth, charm, and openness. In her best-known works, Oppenheim painted household objects in suggestively erotic arrangements or created haunting assemblages of indeterminate origins, often transforming objects closely associated with feminine domesticity into erotic symbols. Object (1936), a fur-covered cup, saucer, and spoon, became her most iconic work. Through exhibitions and activities amongst the Surrealist circle, Oppenheim was closely associated with Jean Arp, André Breton, and Max Ernst.

Meret Oppenheim

Parapapillon pendant/brooch, 1979

Silver
5 1/10 × 3 4/5 in
13 × 9.6 cm
Unique
location
London
Want to sell a work by this artist? Consign with Artsy.
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