In the family “Happy Together”, vertical brass, nickel, or black patinated rods carry a group of …
Read moreIn the family “Happy Together”, vertical brass, nickel, or black patinated rods carry a group of glass globes. “I have always been fascinated with the sphere for its purity as the ultimate primal form. The design of these series started as a simple exercise of repetition, arranging them in perfect stacks or clusters …
Read moreTrained in civil engineering and then industrial design, London-based artist Michael Anastassiades established his studio in 1994 and has since been producing pieces that are both technologically advanced and beautifully designed. Though at first glance they might appear merely utilitarian, his objects—many of them lit— are in fact stunningly detailed and rigorously proportioned: the glass is free blown, the metal finishes are bespoke. His work is in the permanent collections of museums such as the Museum of Modern Art in New York and the Victoria and Albert Museum in London.
In the family “Happy Together”, vertical brass, nickel, or black patinated rods carry a group of …
Read moreIn the family “Happy Together”, vertical brass, nickel, or black patinated rods carry a group of glass globes. “I have always been fascinated with the sphere for its purity as the ultimate primal form. The design of these series started as a simple exercise of repetition, arranging them in perfect stacks or clusters …
Read moreTrained in civil engineering and then industrial design, London-based artist Michael Anastassiades established his studio in 1994 and has since been producing pieces that are both technologically advanced and beautifully designed. Though at first glance they might appear merely utilitarian, his objects—many of them lit— are in fact stunningly detailed and rigorously proportioned: the glass is free blown, the metal finishes are bespoke. His work is in the permanent collections of museums such as the Museum of Modern Art in New York and the Victoria and Albert Museum in London.