Medium
Image rights
Michael Anderson

Michael Anderson obsessively culls mass-media imagery to create pulsating, mosaic-like collages. Extracted primarily from billboards and advertisements, Anderson’s subjects—running the gamut from Britney Spears to Che Guevara—are reconfigured and distorted to create intricately fragmented, almost cubistic compositions, whose surprising juxtapositions tempt viewers to read a grander narrative or critique below the ornate surface. Anderson begins his process by hand collecting posters from streets in ethnic neighborhoods around the world, often culling dozens of the same image.

Exhibitions
2013
Amstel Gallery at SCOPE Art Show New YorkAmstel Gallery
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Baseball Armageddon (Warm-up), 2018

Baseball Cards on Archival Paper
14 1/2 × 10 3/4 in
36.8 × 27.3 cm
.
$500
Location
New York
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Medium
Image rights
Michael Anderson

Michael Anderson obsessively culls mass-media imagery to create pulsating, mosaic-like collages. Extracted primarily from billboards and advertisements, Anderson’s subjects—running the gamut from Britney Spears to Che Guevara—are reconfigured and distorted to create intricately fragmented, almost cubistic compositions, whose surprising juxtapositions tempt viewers to read a grander narrative or critique below the ornate surface. Anderson begins his process by hand collecting posters from streets in ethnic neighborhoods around the world, often culling dozens of the same image.

Exhibitions (1)
Other works from THE COLLAGE SHOW, curated by Morgan Lappin
Other works by Michael Anderson
Other works from Undercurrent Projects
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