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Michael Dweck, ‘Untitled (Natalie Riding Lance)’, 2009, The Watermill Center Benefit Auction
Michael Dweck, ‘Untitled (Natalie Riding Lance)’, 2009, The Watermill Center Benefit Auction
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Michael Dweck

Untitled (Natalie Riding Lance), 2009

Dye sublimation metal print
70 × 70 in
177.8 × 177.8 cm
Edition 1/3 + 2AP
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
About the work
The Watermill Center Benefit Auction

Please note: After bidding closes on Artsy, bids on this piece will be transferred and executed at …

Please note: After bidding closes on Artsy, bids on this piece will be transferred and executed at the live auction component of The Watermill Center's benefit auction on the evening of July 29th, 2017.

With a keen eye for the formal qualities of his subjects, and sensitivity to the particularities of place and …

Medium
Photography
Signature
Signed
Image rights
Courtesy of Michael Dweck
Michael Dweck
American, b. 1957
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With a keen eye for the formal qualities of his subjects, and sensitivity to the particularities of place and community, Michael Dweck uses his camera to engage with the visual world. After an award-winning career as a creative director, he left commercial work in 2001 to pursue his passion for photography full-time. He works in color and black-and-white, and always in narrative series; “each photograph stands on its own but also contributes to a larger spirit that informs the body's overarching narrative,” he explains. His subject matter ranges from cars and architecture to landscapes and female nudes, the latter being his most sustained focus. Among Dweck’s best-known series are “The End: Montauk, N.Y.” (2004), in which he captured Montauk’s old fishing community and its surfing subculture, and “Habana Libre” (2011), an unprecedented, intimate portrayal of Cuba’s privileged creative class.

Michael Dweck, ‘Untitled (Natalie Riding Lance)’, 2009, The Watermill Center Benefit Auction
Michael Dweck, ‘Untitled (Natalie Riding Lance)’, 2009, The Watermill Center Benefit Auction
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share
About the work
The Watermill Center Benefit Auction

Please note: After bidding closes on Artsy, bids on this piece will be transferred and executed at …

Please note: After bidding closes on Artsy, bids on this piece will be transferred and executed at the live auction component of The Watermill Center's benefit auction on the evening of July 29th, 2017.

With a keen eye for the formal qualities of his subjects, and sensitivity to the particularities of place and …

Medium
Photography
Signature
Signed
Image rights
Courtesy of Michael Dweck
Michael Dweck
American, b. 1957
Follow

With a keen eye for the formal qualities of his subjects, and sensitivity to the particularities of place and community, Michael Dweck uses his camera to engage with the visual world. After an award-winning career as a creative director, he left commercial work in 2001 to pursue his passion for photography full-time. He works in color and black-and-white, and always in narrative series; “each photograph stands on its own but also contributes to a larger spirit that informs the body's overarching narrative,” he explains. His subject matter ranges from cars and architecture to landscapes and female nudes, the latter being his most sustained focus. Among Dweck’s best-known series are “The End: Montauk, N.Y.” (2004), in which he captured Montauk’s old fishing community and its surfing subculture, and “Habana Libre” (2011), an unprecedented, intimate portrayal of Cuba’s privileged creative class.

Michael Dweck

Untitled (Natalie Riding Lance), 2009

Dye sublimation metal print
70 × 70 in
177.8 × 177.8 cm
Edition 1/3 + 2AP
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Other works by Michael Dweck
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