Michael Jones McKean, ‘we float above to spit and sing (installation view)’, 2014, Sculpture, Wood, shellac, wax, prosthetic silicone, makeup, jewelry. hair, fabric, lights, stainless steel, resin, rubber, tar, plastic embedded meteorite fragments., Emerson Dorsch
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we float above to spit and sing (installation view), 2014

Wood, shellac, wax, prosthetic silicone, makeup, jewelry. hair, fabric, lights, stainless steel, resin, rubber, tar, plastic embedded meteorite fragments.
64 × 229 × 9 in
162.6 × 581.7 × 22.9 cm
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Location
Miami
Have a question? Visit our help center.
Medium
Michael Jones McKean
Micronesian-American, b. 1976
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Michael Jones McKean explores narratives constructed from the juxtaposition of incongruent materials and images in his assemblages and sculptures that incorporate handmade elements and appropriated readymade objects. McKean notes that viewers and consumers are adept at parsing complicated details in art and commerce: “There are moments when specific external details about an object, such as how it was made, or what it was made from, or its compounding meta-histories should surface. These details have the possibility to tell us about ourselves, our time, and belief in things.” In works such as we float above to spit and sing (2014), McKean reproduces stock photo imagery as painterly, abstract expressionist forms. He freely uses both figurative and abstract elements in his sculptures and assemblages.

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Michael Jones McKean, ‘we float above to spit and sing (installation view)’, 2014, Sculpture, Wood, shellac, wax, prosthetic silicone, makeup, jewelry. hair, fabric, lights, stainless steel, resin, rubber, tar, plastic embedded meteorite fragments., Emerson Dorsch
Navigate right
Save
Save
Share
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Medium
Michael Jones McKean
Micronesian-American, b. 1976
Follow

Michael Jones McKean explores narratives constructed from the juxtaposition of incongruent materials and images in his assemblages and sculptures that incorporate handmade elements and appropriated readymade objects. McKean notes that viewers and consumers are adept at parsing complicated details in art and commerce: “There are moments when specific external details about an object, such as how it was made, or what it was made from, or its compounding meta-histories should surface. These details have the possibility to tell us about ourselves, our time, and belief in things.” In works such as we float above to spit and sing (2014), McKean reproduces stock photo imagery as painterly, abstract expressionist forms. He freely uses both figurative and abstract elements in his sculptures and assemblages.

we float above to spit and sing (installation view), 2014

Wood, shellac, wax, prosthetic silicone, makeup, jewelry. hair, fabric, lights, stainless steel, resin, rubber, tar, plastic embedded meteorite fragments.
64 × 229 × 9 in
162.6 × 581.7 × 22.9 cm
Contact For Price
Location
Miami
Have a question? Visit our help center.
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