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Michael Manning

Pesto Quesadillas, 2014

Digital print on nylon
36 × 48 in
91.4 × 121.9 cm
location
Miami
About the work
Michael Manning
American, b. 1985
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Michael Manning’s practice in painting, video, sculpture, and digital work explores the relationship between technology and the analog. Working both online and with objects, the Los Angeles–based artist has said his work concerns “ideas about the internet, and technology, and the necessity of the object in a time when photography and the distribution of JPEG images and all sorts of documentation are prevailing.” Although Manning began his practice working exclusively in the digital sphere, he began to create paintings of his online images. The artist produces his paintings using touch-screen tablets or image software such as Photoshop, but he exhibits them as 3-D prints. Using familiar imagery with abstract gestures, the paintings question the fluidity between material and digital culture and objects.

Save
Save
view
View in room
share
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Save
Save
view
View in room
share
Share
About the work
Michael Manning
American, b. 1985
Follow

Michael Manning’s practice in painting, video, sculpture, and digital work explores the relationship between technology and the analog. Working both online and with objects, the Los Angeles–based artist has said his work concerns “ideas about the internet, and technology, and the necessity of the object in a time when photography and the distribution of JPEG images and all sorts of documentation are prevailing.” Although Manning began his practice working exclusively in the digital sphere, he began to create paintings of his online images. The artist produces his paintings using touch-screen tablets or image software such as Photoshop, but he exhibits them as 3-D prints. Using familiar imagery with abstract gestures, the paintings question the fluidity between material and digital culture and objects.

Michael Manning

Pesto Quesadillas, 2014

Digital print on nylon
36 × 48 in
91.4 × 121.9 cm
location
Miami
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