Michael Michaeledes, ‘White relief’, 1969, Martini Studio d'Arte
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Michael Michaeledes

White relief, 1969

Acrylic and extroflexed canvas
20 9/10 × 20 9/10 × 2 4/5 in
53 × 53 × 7 cm
Bidding closed
About the work
Provenance
MSA
Martini Studio d'Arte

Signed and dated on the back side
Stamp D’Ars Milano on the back side
cm. 53 x 53 x 7

Medium
Michael Michaeledes
British, b. 1927
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Michael Michaeledes is a self-taught painter known for his stretched-canvas pieces that are equal parts painting and sculpture. Michaeledes, who was raised in Egypt and Greece, studied art and architecture in Europe. His first works were naturalist and representational landscapes made using washes of pigment on paper and canvas. Michaeledes’ style grew more abstract over time, and finally he abandoned the use of paint entirely, working with just canvas and wood. For these works, which came to be analogous with his mature style, Michaeledes shaped and warped wooden frames across which he would stretch unprimed canvas. The final pieces have shallow reliefs that cast deliberate and geometrically patterned shadows. Michaeledes explains that his inspiration for these works are the stark marble reliefs of Ancient Greece.

Michael Michaeledes, ‘White relief’, 1969, Martini Studio d'Arte
Save
Save
Share
Share
About the work
Provenance
MSA
Martini Studio d'Arte

Signed and dated on the back side
Stamp D’Ars Milano on the back side
cm. 53 x 53 x 7

Medium
Michael Michaeledes
British, b. 1927
Follow

Michael Michaeledes is a self-taught painter known for his stretched-canvas pieces that are equal parts painting and sculpture. Michaeledes, who was raised in Egypt and Greece, studied art and architecture in Europe. His first works were naturalist and representational landscapes made using washes of pigment on paper and canvas. Michaeledes’ style grew more abstract over time, and finally he abandoned the use of paint entirely, working with just canvas and wood. For these works, which came to be analogous with his mature style, Michaeledes shaped and warped wooden frames across which he would stretch unprimed canvas. The final pieces have shallow reliefs that cast deliberate and geometrically patterned shadows. Michaeledes explains that his inspiration for these works are the stark marble reliefs of Ancient Greece.

Michael Michaeledes

White relief, 1969

Acrylic and extroflexed canvas
20 9/10 × 20 9/10 × 2 4/5 in
53 × 53 × 7 cm
Bidding closed
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