Mickalene Thomas, ‘July 1977’, 2019, Print, Relief, screen print, intaglio, wood veneer, archival inkjet, gold and copper foil stamping, chine collé, collage, Tandem Press
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Mickalene Thomas

July 1977, 2019

Relief, screen print, intaglio, wood veneer, archival inkjet, gold and copper foil stamping, chine collé, collage
41 × 34 in
104.1 × 86.4 cm
Edition of 25
.
Contact For Price
Location
Madison
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Have a question? Visit our help center.
Medium
Condition
Pristine
Signature
Hand-signed by artist, Front, bottom right
Certificate of authenticity
Included (issued by gallery)
Publisher
Tandem Press
Mickalene Thomas
American, b. 1971
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In her texturally rich paintings, Mickalene Thomas examines the popular characterization of black female identity, celebrity, and sexuality. Crafted with acrylic, rhinestones, and enamel, the vibrant interwoven patterns adorning Thomas’ work are inspired by her childhood in the 1970s. Thomas chooses to depict powerful women such as her mother, celebrities, and iconic art-historical figures. In a 2010 photograph entitled Le déjeuner sur l’herbe: Le Trois Femme Noires (2010), Thomas re-stages Édouard Manet’s famous image, substituting his painted figures for provocatively dressed black women. Such works demonstrate Thomas’s sustained interest in visualizing the black woman’s relationship both to art history and to contemporary culture at large.

Mickalene Thomas, ‘July 1977’, 2019, Print, Relief, screen print, intaglio, wood veneer, archival inkjet, gold and copper foil stamping, chine collé, collage, Tandem Press
Save
Save
View
View in room
Share
Share
Medium
Condition
Pristine
Signature
Hand-signed by artist, Front, bottom right
Certificate of authenticity
Included (issued by gallery)
Publisher
Tandem Press
Mickalene Thomas
American, b. 1971
Follow

In her texturally rich paintings, Mickalene Thomas examines the popular characterization of black female identity, celebrity, and sexuality. Crafted with acrylic, rhinestones, and enamel, the vibrant interwoven patterns adorning Thomas’ work are inspired by her childhood in the 1970s. Thomas chooses to depict powerful women such as her mother, celebrities, and iconic art-historical figures. In a 2010 photograph entitled Le déjeuner sur l’herbe: Le Trois Femme Noires (2010), Thomas re-stages Édouard Manet’s famous image, substituting his painted figures for provocatively dressed black women. Such works demonstrate Thomas’s sustained interest in visualizing the black woman’s relationship both to art history and to contemporary culture at large.

Mickalene Thomas

July 1977, 2019

Relief, screen print, intaglio, wood veneer, archival inkjet, gold and copper foil stamping, chine collé, collage
41 × 34 in
104.1 × 86.4 cm
Edition of 25
.
Contact For Price
Location
Madison
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Have a question? Visit our help center.
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