Milton Avery, ‘Hooded Owl’, 1953, Print, Linocut print, Friends Seminary Benefit Auction
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Milton Avery

Hooded Owl, 1953

Linocut print
13 1/2 × 10 3/4 in
34.3 × 27.3 cm
Bidding closed
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Friends Seminary Benefit Auction

AP

Unframed

Medium
Signature
Signed and dated lower left
Image rights
Courtesy of Milton and Sally Avery Arts Foundation
Milton Avery
American, 1885–1965
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Depicting everyday scenes of domestic, city, and country life, painter and printmaker Milton Avery favored simplified forms and the flat application of color, inspired by Henri Matisse and Pablo Picasso. “I try to construct a picture in which shapes, spaces, [and] colors form a set of unique relationships, independent of any subject matter,” he once said. Avery’s early work incorporated elements of Impressionism, but his smooth planes of color and combination of figuration and abstraction would make him an archetype of American Modernism, prefiguring aspects of Color Field painting by years. Avery was a friend and source of inspiration to artists including Mark Rothko, Adolph Gottlieb, and Barnett Newman. A man of few words, he was said to have frequently quipped, “Why talk when you can paint?”

Milton Avery, ‘Hooded Owl’, 1953, Print, Linocut print, Friends Seminary Benefit Auction
Save
Save
View
View in room
Share
Share
Friends Seminary Benefit Auction

AP

Unframed

Medium
Signature
Signed and dated lower left
Image rights
Courtesy of Milton and Sally Avery Arts Foundation
Milton Avery
American, 1885–1965
Follow

Depicting everyday scenes of domestic, city, and country life, painter and printmaker Milton Avery favored simplified forms and the flat application of color, inspired by Henri Matisse and Pablo Picasso. “I try to construct a picture in which shapes, spaces, [and] colors form a set of unique relationships, independent of any subject matter,” he once said. Avery’s early work incorporated elements of Impressionism, but his smooth planes of color and combination of figuration and abstraction would make him an archetype of American Modernism, prefiguring aspects of Color Field painting by years. Avery was a friend and source of inspiration to artists including Mark Rothko, Adolph Gottlieb, and Barnett Newman. A man of few words, he was said to have frequently quipped, “Why talk when you can paint?”

Milton Avery

Hooded Owl, 1953

Linocut print
13 1/2 × 10 3/4 in
34.3 × 27.3 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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