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Milton Avery

March At A Table (Lunn 28), 1948

Drypoint, on cream wove paper
8 3/4 × 6 in
22.2 × 15.2 cm
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About the work
D
Doyle

signed in pencil, with full margins, framed.

8.75 x 6 inches; 222 x 152 mm.
Sheet: 16.25 x 13 …

Read more

signed in pencil, with full margins, framed.

8.75 x 6 inches; 222 x 152 mm.
Sheet: 16.25 x 13 inches; 413 x 330 mm.

Condition: Lightstain and matstain, some foxing in the margins and verso and one in the image, otherwise in good condition.

Milton Avery
American, 1885–1965
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Depicting everyday scenes of domestic, city, and country life, painter and printmaker Milton Avery favored simplified forms and the flat application of color, inspired by Henri Matisse and Pablo Picasso. “I try to construct a picture in which shapes, spaces, [and] colors form a set of unique relationships, independent of any subject matter,” he once said. Avery’s early work incorporated elements of Impressionism, but his smooth planes of color and combination of figuration and abstraction would make him an archetype of American Modernism, prefiguring aspects of Color Field painting by years. Avery was a friend and source of inspiration to artists including Mark Rothko, Adolph Gottlieb, and Barnett Newman. A man of few words, he was said to have frequently quipped, “Why talk when you can paint?”

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About the work
D
Doyle

signed in pencil, with full margins, framed.

8.75 x 6 inches; 222 x 152 mm.
Sheet: 16.25 x 13 …

Read more

signed in pencil, with full margins, framed.

8.75 x 6 inches; 222 x 152 mm.
Sheet: 16.25 x 13 inches; 413 x 330 mm.

Condition: Lightstain and matstain, some foxing in the margins and verso and one in the image, otherwise in good condition.

Milton Avery
American, 1885–1965
Follow

Depicting everyday scenes of domestic, city, and country life, painter and printmaker Milton Avery favored simplified forms and the flat application of color, inspired by Henri Matisse and Pablo Picasso. “I try to construct a picture in which shapes, spaces, [and] colors form a set of unique relationships, independent of any subject matter,” he once said. Avery’s early work incorporated elements of Impressionism, but his smooth planes of color and combination of figuration and abstraction would make him an archetype of American Modernism, prefiguring aspects of Color Field painting by years. Avery was a friend and source of inspiration to artists including Mark Rothko, Adolph Gottlieb, and Barnett Newman. A man of few words, he was said to have frequently quipped, “Why talk when you can paint?”

Milton Avery

March At A Table (Lunn 28), 1948

Drypoint, on cream wove paper
8 3/4 × 6 in
22.2 × 15.2 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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American Modernism