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Mimmo Rotella

Erotic, executed in 2002

Décollage on canvas
Bidding closed
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About the work
P
Pandolfini

on the reverse signed, titled and dated
cm 140x100

L'opera è accompagnata da autentica …

Read more

on the reverse signed, titled and dated
cm 140x100

L'opera è accompagnata da autentica rilasciata dall'artista

Esposizioni
Galleria Tega / Galleria Cà di Frà, Mimmo Rotella. Moana Ultimo Mito, Milano, 2003, cat. Pagg. 40-41

Medium
Mixed Media
Mimmo Rotella
Italian, 1918–2006
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Mimmo Rotella, who represented Italy in the 1964 Venice Biennale, was experimental to his core: in his poetry, paintings, photographs, sculptural assemblages, and collages, he broke down conventions, leaving behind a body of extravagant work. He began as a painter of geometric abstractions in the early 1950s, then turned away from his studio and toward the world around him. There he found weathered movie and advertising posters, which he would tear off the walls, affix to canvases, and rip further to develop semi-abstract compositions out of mass media imagery, which he called “double décollages.” Through his collages, he became associated with Raymond Hains, Jacques Villeglé, and François Dufrêne—together known as Les Affichistes. Rotella was also linked to the French Nouveau Réalistes, for reflecting commodity culture, and its excesses and absurdities, in his art.

Save
Save
share
Share
Save
Save
share
Share
About the work
P
Pandolfini

on the reverse signed, titled and dated
cm 140x100

L'opera è accompagnata da autentica …

Read more

on the reverse signed, titled and dated
cm 140x100

L'opera è accompagnata da autentica rilasciata dall'artista

Esposizioni
Galleria Tega / Galleria Cà di Frà, Mimmo Rotella. Moana Ultimo Mito, Milano, 2003, cat. Pagg. 40-41

Medium
Mixed Media
Mimmo Rotella
Italian, 1918–2006
Follow

Mimmo Rotella, who represented Italy in the 1964 Venice Biennale, was experimental to his core: in his poetry, paintings, photographs, sculptural assemblages, and collages, he broke down conventions, leaving behind a body of extravagant work. He began as a painter of geometric abstractions in the early 1950s, then turned away from his studio and toward the world around him. There he found weathered movie and advertising posters, which he would tear off the walls, affix to canvases, and rip further to develop semi-abstract compositions out of mass media imagery, which he called “double décollages.” Through his collages, he became associated with Raymond Hains, Jacques Villeglé, and François Dufrêne—together known as Les Affichistes. Rotella was also linked to the French Nouveau Réalistes, for reflecting commodity culture, and its excesses and absurdities, in his art.

Mimmo Rotella

Erotic, executed in 2002

Décollage on canvas
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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