Mimmo Rotella, ‘Untitled’, 1981, Drawing, Collage or other Work on Paper, Décollage, Finarte
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Mimmo Rotella

Untitled, 1981

Décollage
19 9/10 × 13 3/5 in
50.5 × 34.6 cm
Bidding closed
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F
Finarte

cm 50,5x34,6

Signed and dated on the front: Rotella 81

This lot is subject to Artists Resale …

Medium
Mimmo Rotella
Italian, 1918–2006
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Mimmo Rotella, who represented Italy in the 1964 Venice Biennale, was experimental to his core: in his poetry, paintings, photographs, sculptural assemblages, and collages, he broke down conventions, leaving behind a body of extravagant work. He began as a painter of geometric abstractions in the early 1950s, then turned away from his studio and toward the world around him. There he found weathered movie and advertising posters, which he would tear off the walls, affix to canvases, and rip further to develop semi-abstract compositions out of mass media imagery, which he called “double décollages.” Through his collages, he became associated with Raymond Hains, Jacques Villeglé, and François Dufrêne—together known as Les Affichistes. Rotella was also linked to the French Nouveau Réalistes, for reflecting commodity culture, and its excesses and absurdities, in his art.

Mimmo Rotella, ‘Untitled’, 1981, Drawing, Collage or other Work on Paper, Décollage, Finarte
Save
Save
View
View in room
Share
Share
F
Finarte

cm 50,5x34,6

Signed and dated on the front: Rotella 81

This lot is subject to Artists Resale Rights

Medium
Mimmo Rotella
Italian, 1918–2006
Follow

Mimmo Rotella, who represented Italy in the 1964 Venice Biennale, was experimental to his core: in his poetry, paintings, photographs, sculptural assemblages, and collages, he broke down conventions, leaving behind a body of extravagant work. He began as a painter of geometric abstractions in the early 1950s, then turned away from his studio and toward the world around him. There he found weathered movie and advertising posters, which he would tear off the walls, affix to canvases, and rip further to develop semi-abstract compositions out of mass media imagery, which he called “double décollages.” Through his collages, he became associated with Raymond Hains, Jacques Villeglé, and François Dufrêne—together known as Les Affichistes. Rotella was also linked to the French Nouveau Réalistes, for reflecting commodity culture, and its excesses and absurdities, in his art.

Mimmo Rotella

Untitled, 1981

Décollage
19 9/10 × 13 3/5 in
50.5 × 34.6 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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