Molly Hatch, ‘Molly Hatch, Mille Fleur, USA, 2016’, 2016, Todd Merrill Studio

In 2009, Hatch’s career took off after she was awarded the prestigious Arts/Industry Residency in Pottery at the John Michael Kohler Arts Center in Wisconsin. Since then, Hatch’s work has been in high demand. In 2013, Hatch had a solo museum exhibition at the Philadelphia Art Alliance and was included in “New Blue and White,” a contemporary decorative arts exhibition at the Museum of Fine Arts in Boston. In 2014, Physic Garden, a monumental 456-plate work, was installed at the High Museum of Art in Atlanta as well as Caughly Landscape, another installation commissioned by the museum and the Woodruff Arts Center. Chronicle Books published Hatch’s first illustrated book of paintings in March of 2015. In 2016, the Clayarch Gimhae Museum in Korea exhibited a selection of wall installations by the artist.

As Hatch works on a commission basis, custom works may be requested.

Dimensions: 26″ H x 26″ W x 1.5” D

Materials: 16 hand thrown and hand painted porcelain plates with engobes and glaze

About Molly Hatch

Molly Hatch scours textile and porcelain archives from museums around the world (the Victoria and Albert, the Metropolitan Museum, and the Cooper-Hewitt, to name a few) as inspiration for her ceramic objects and installations. Hatch draws patterns from historic source materials, enlarging and editing them, and spreading the intricate designs across vases or groupings of plates. In her most ambitious installations at the Museum of Fine Arts Boston and the High Museum Atlanta, Hatch has hung hundreds of painted plates in colorful constellations that shift from figurative to abstract, depending on where the viewer stands. “Exploring how the eye reads surface pattern, I have deconstructed the repeat pattern by highlighting select floral motifs on the surface of hundreds of porcelain plates,” she says of the impetus behind her recent installation Recite (2014). “Riffing on the historic as a musician may riff on a musical score, I offer Recite as my contemporary reinterpretation of this historic pattern.”

American, b. 1978, Richland Center, Wisconsin, based in Florence, Massachusetts