Molly Hatch, ‘Molly Hatch, Similis, USA, 2017’, 2017, Todd Merrill Studio
Molly Hatch, ‘Molly Hatch, Similis, USA, 2017’, 2017, Todd Merrill Studio
Molly Hatch, ‘Molly Hatch, Similis, USA, 2017’, 2017, Todd Merrill Studio
Molly Hatch, ‘Molly Hatch, Similis, USA, 2017’, 2017, Todd Merrill Studio

Continuing Molly Hatch’s historically-inspired contemporary repertoire is Similis, which is based on a 19th century Chinese Export porcelain plate from the collection of the Metropolitan Museum of Art. Comprised of 37 earthenware hand-painted plates, the glazed surface of Similis becomes a fragmented canvas for Hatch’s delicate, painterly re-rendering. Playing with the bird motif to create a new design—Hatch’s use of gold and iron red mimic the original’s color pattern. At times the gold luster and the rich red become very similar in tone and at other times they contrast each other depending on the light the work is shown in. This piece is activated through viewing, sparkling and reflecting the room and objects around it.

Hatch’s work has been widely collected and commissioned and exhibited at art fairs nationally and internationally. In 2013 Hatch had a solo museum exhibition at the Philadelphia Art Alliance and was included in New Blue and White, a contemporary decorative arts exhibition at the Museum of Fine Arts in Boston. In 2014, Physic Garden, a monumental 456-plate painting, was installed at the High Museum of Art in Atlanta, as well Caughley Landscape, another work commissioned by the museum and the Woodruff Arts Center. Chronicle Books published Hatch’s first illustrated book of paintings in March of 2015. Hatch is currently working on a multiple installation commission for the Newark Museum which will debut in the fall of 2017.

As Hatch works on a commission basis, custom dimensionality as well as source inspiration can be accommodated for a bespoke plate painting installation.

A full color catalogue of Hatch’s work is available by request through Todd Merrill Studio.

Measurements: 84″ H x 65″ W x 1 1/2″ D
Materials: 37 hand painted earthenware plates with glaze, underglaze and gold luster

About Molly Hatch

Molly Hatch scours textile and porcelain archives from museums around the world (the Victoria and Albert, the Metropolitan Museum, and the Cooper-Hewitt, to name a few) as inspiration for her ceramic objects and installations. Hatch draws patterns from historic source materials, enlarging and editing them, and spreading the intricate designs across vases or groupings of plates. In her most ambitious installations at the Museum of Fine Arts Boston and the High Museum Atlanta, Hatch has hung hundreds of painted plates in colorful constellations that shift from figurative to abstract, depending on where the viewer stands. “Exploring how the eye reads surface pattern, I have deconstructed the repeat pattern by highlighting select floral motifs on the surface of hundreds of porcelain plates,” she says of the impetus behind her recent installation Recite (2014). “Riffing on the historic as a musician may riff on a musical score, I offer Recite as my contemporary reinterpretation of this historic pattern.”

American, b. 1978, Richland Center, Wisconsin, based in Florence, Massachusetts