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ARRAY #8, 2018

Archival pigment print
47 1/5 × 66 9/10 in
120 × 170 cm
Edition of 7 + 2AP
This is part of a limited edition set.
£7,500 - 10,000
location
London
Have a question? Read our FAQ.
About the work
Provenance
Medium
Photography
Condition
The artwork arrives from the studio in excellent condition.
Signature
Hand-signed by artist, sticker label, Signed and numbered on label on verso of the mount
Series
Array
Murray Fredericks
Australian, b. 1970
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Once known for black-and-white images of mountains and wilderness, photographer Murray Fredericks is now best known for a series of color photographs and a documentary film, Salt (2009), whose subject is South Australia’s Lake Eyre. In epic, often haunting images, Fredericks captures the lake’s thick, salt-encrusted surface, its light and color effects at different times of day and in various climatic conditions, and its surrounding expanses of arid land, as well as the experience of living and shooting alone in a remote environment. Printing his photographs on cotton rag rather than conventional photo paper in order to imbue them with a painterly effect, Fredericks has said, “I’m constantly trying to break away from traditional landscape photography.”

Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Provenance
Medium
Photography
Condition
The artwork arrives from the studio in excellent condition.
Signature
Hand-signed by artist, sticker label, Signed and numbered on label on verso of the mount
Series
Array
Murray Fredericks
Australian, b. 1970
Follow

Once known for black-and-white images of mountains and wilderness, photographer Murray Fredericks is now best known for a series of color photographs and a documentary film, Salt (2009), whose subject is South Australia’s Lake Eyre. In epic, often haunting images, Fredericks captures the lake’s thick, salt-encrusted surface, its light and color effects at different times of day and in various climatic conditions, and its surrounding expanses of arid land, as well as the experience of living and shooting alone in a remote environment. Printing his photographs on cotton rag rather than conventional photo paper in order to imbue them with a painterly effect, Fredericks has said, “I’m constantly trying to break away from traditional landscape photography.”

ARRAY #8, 2018

Archival pigment print
47 1/5 × 66 9/10 in
120 × 170 cm
Edition of 7 + 2AP
This is part of a limited edition set.
£7,500 - 10,000
location
London
Have a question? Read our FAQ.
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