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Untitled, 2014

Gelatin silver print.
Location
Los Angeles
About the work
Medium
Photography
Image rights
Courtesy of the artist.
N. Dash
American, b. 1980
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N. Dash engages with the sense of touch as a primary mode of art-making, often juxtaposing common materials like paint and canvas with their raw counterparts, such as pigment or adobe mud gathered from the Southwest Desert. Dash’s use of these disparate elements in paintings, works on paper, and photographs provides compelling entry points into their histories. The laborious and performative physical contact required to construct these artworks establishes the body as a presence in the work, giving both warmth and gravitas to the resulting minimalist arrangements.

Save
Save
Share
Share
Save
Save
Share
Share
About the work
Medium
Photography
Image rights
Courtesy of the artist.
N. Dash
American, b. 1980
Follow

N. Dash engages with the sense of touch as a primary mode of art-making, often juxtaposing common materials like paint and canvas with their raw counterparts, such as pigment or adobe mud gathered from the Southwest Desert. Dash’s use of these disparate elements in paintings, works on paper, and photographs provides compelling entry points into their histories. The laborious and performative physical contact required to construct these artworks establishes the body as a presence in the work, giving both warmth and gravitas to the resulting minimalist arrangements.

Untitled, 2014

Gelatin silver print.
Location
Los Angeles
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