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N. Dash, ‘Untitled’, 2015, Casey Kaplan
N. Dash, ‘Untitled’, 2015, Casey Kaplan
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N. Dash

Untitled, 2015

Adobe, oil, graphite, pigment, acrylic, linen, canvas, jute, wood support
81 1/2 × 24 in
207 × 61 cm
Location
New York
About the work
Medium
Mixed Media
Image rights
Photo: Jean Vong; Courtesy of the artist and Casey Kaplan, New York
N. Dash
American, b. 1980
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N. Dash engages with the sense of touch as a primary mode of art-making, often juxtaposing common materials like paint and canvas with their raw counterparts, such as pigment or adobe mud gathered from the Southwest Desert. Dash’s use of these disparate elements in paintings, works on paper, and photographs provides compelling entry points into their histories. The laborious and performative physical contact required to construct these artworks establishes the body as a presence in the work, giving both warmth and gravitas to the resulting minimalist arrangements.

N. Dash, ‘Untitled’, 2015, Casey Kaplan
N. Dash, ‘Untitled’, 2015, Casey Kaplan
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share
About the work
Medium
Mixed Media
Image rights
Photo: Jean Vong; Courtesy of the artist and Casey Kaplan, New York
N. Dash
American, b. 1980
Follow

N. Dash engages with the sense of touch as a primary mode of art-making, often juxtaposing common materials like paint and canvas with their raw counterparts, such as pigment or adobe mud gathered from the Southwest Desert. Dash’s use of these disparate elements in paintings, works on paper, and photographs provides compelling entry points into their histories. The laborious and performative physical contact required to construct these artworks establishes the body as a presence in the work, giving both warmth and gravitas to the resulting minimalist arrangements.

N. Dash

Untitled, 2015

Adobe, oil, graphite, pigment, acrylic, linen, canvas, jute, wood support
81 1/2 × 24 in
207 × 61 cm
Location
New York
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