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Untitled, from Allen in Vision; and Untitled, from 1993 Whitney Biennial in Seoul portfolio, 1990 and 1993

One screenprint and one lithograph and screenprint in colors, on wove papers, the full sheet and with full margins.
Bidding closed
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About the work
P
Phillips

Ginsberg S. 29 3/8 x 22 in. (74.6 x 55.9 cm)
Cunningham I. 10 1/2 x 17 3/4 in. (26.7 x 45.1 cm)
S. 19 …

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Ginsberg S. 29 3/8 x 22 in. (74.6 x 55.9 cm)
Cunningham I. 10 1/2 x 17 3/4 in. (26.7 x 45.1 cm)
S. 19 1/2 x 24 7/8 in. (49.5 x 63.2 cm)

This lot is to be Sold with No Reserve

Signature
Both signed and numbered 87/100 and 'AP VIII/VIII' respectively in pencil (the editions were 100 and 20 artist's proofs and 95 and 15 … Read more
Nam June Paik
South Korean, 1932–2006
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Considered the father of video art, Nam June Paik pioneered the use of televisual electronic media in art. An integral member of the Fluxus movement alongside John Cage and George Macunias, Paik sought new modes of artistic expression and cultural exchange in his music, performances, and media works. Paik recognized the TV as more than a content delivery mechanism in works such as Zen for TV, a broken television broadcasting only a horizontal line across the screen. He created numerous robots composed of television sets, produced a synthesizer that allowed him and others to manipulate electronic imagery in real-time, and made the first video collages with found imagery. Coining the term “the electronic superhighway,” he imagined a world in which human beings near and far would be connected through radio waves and television broadcast channels—in many ways predicting the internet. Paik explored the widening reach of media in his large-scale video installations that display an assault of flickering of images and masterpieces like Good Morning, Mr. Orwell, a groundbreaking live performance broadcast on television in five countries on January 1, 1989, which offered a utopian answer to Orwell’s bleak predictions for the future in his classic novel 1984.

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About the work
P
Phillips

Ginsberg S. 29 3/8 x 22 in. (74.6 x 55.9 cm)
Cunningham I. 10 1/2 x 17 3/4 in. (26.7 x 45.1 cm)
S. 19 …

Read more

Ginsberg S. 29 3/8 x 22 in. (74.6 x 55.9 cm)
Cunningham I. 10 1/2 x 17 3/4 in. (26.7 x 45.1 cm)
S. 19 1/2 x 24 7/8 in. (49.5 x 63.2 cm)

This lot is to be Sold with No Reserve

Signature
Both signed and numbered 87/100 and 'AP VIII/VIII' respectively in pencil (the editions were 100 and 20 artist's proofs and 95 and 15 … Read more
Nam June Paik
South Korean, 1932–2006
Follow

Considered the father of video art, Nam June Paik pioneered the use of televisual electronic media in art. An integral member of the Fluxus movement alongside John Cage and George Macunias, Paik sought new modes of artistic expression and cultural exchange in his music, performances, and media works. Paik recognized the TV as more than a content delivery mechanism in works such as Zen for TV, a broken television broadcasting only a horizontal line across the screen. He created numerous robots composed of television sets, produced a synthesizer that allowed him and others to manipulate electronic imagery in real-time, and made the first video collages with found imagery. Coining the term “the electronic superhighway,” he imagined a world in which human beings near and far would be connected through radio waves and television broadcast channels—in many ways predicting the internet. Paik explored the widening reach of media in his large-scale video installations that display an assault of flickering of images and masterpieces like Good Morning, Mr. Orwell, a groundbreaking live performance broadcast on television in five countries on January 1, 1989, which offered a utopian answer to Orwell’s bleak predictions for the future in his classic novel 1984.

Untitled, from Allen in Vision; and Untitled, from 1993 Whitney Biennial in Seoul portfolio, 1990 and 1993

One screenprint and one lithograph and screenprint in colors, on wove papers, the full sheet and with full margins.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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