Nancy Rubins, ‘Study: Big Edge’, 2009, Sculpture, Model boats, stainless steel armature, Gagosian
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Nancy Rubins

Study: Big Edge, 2009

Model boats, stainless steel armature
75 × 118 × 82 in
190.5 × 299.7 × 208.3 cm
Location
New York, Beverly Hills, London, Paris, Le Bourget, Geneva, Basel, Rome, Athens, Central, Hong Kong
Medium
Image rights
© Nancy Rubins. Photo Jeff McLane. Courtesy of the artist and Gagosian.
Nancy Rubins
American, b. 1952
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Since the late 1970s, Nancy Rubins has been engineering everyday materials into heroic forms that seem to defy gravity and all expectations. She has bound together mattresses, smeared them with a coating of Entenmann’s cakes, and suspended them from the ceiling; joined together a dizzying assortment of old boats and cantilevered them over a public plaza; and built an assemblage of steel, concrete, and electrical appliances that towered 45 feet into the air. Though her stunningly complex, monumental sculptures have been interpreted as commentary on consumer culture, Rubins is driven by formal and aesthetic concerns. As she explains: “The desire to make something beautiful out of whatever you have got appealed to me.” In all of her work, she both extends and challenges the tradition of modernist sculpture, experimenting with the interplay of gravity, balance, form, and beauty.

Nancy Rubins, ‘Study: Big Edge’, 2009, Sculpture, Model boats, stainless steel armature, Gagosian
Save
Save
Share
Share
Medium
Image rights
© Nancy Rubins. Photo Jeff McLane. Courtesy of the artist and Gagosian.
Nancy Rubins
American, b. 1952
Follow

Since the late 1970s, Nancy Rubins has been engineering everyday materials into heroic forms that seem to defy gravity and all expectations. She has bound together mattresses, smeared them with a coating of Entenmann’s cakes, and suspended them from the ceiling; joined together a dizzying assortment of old boats and cantilevered them over a public plaza; and built an assemblage of steel, concrete, and electrical appliances that towered 45 feet into the air. Though her stunningly complex, monumental sculptures have been interpreted as commentary on consumer culture, Rubins is driven by formal and aesthetic concerns. As she explains: “The desire to make something beautiful out of whatever you have got appealed to me.” In all of her work, she both extends and challenges the tradition of modernist sculpture, experimenting with the interplay of gravity, balance, form, and beauty.

Nancy Rubins

Study: Big Edge, 2009

Model boats, stainless steel armature
75 × 118 × 82 in
190.5 × 299.7 × 208.3 cm
Location
New York, Beverly Hills, London, Paris, Le Bourget, Geneva, Basel, Rome, Athens, Central, Hong Kong
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