Nancy Spero, ‘Untitled (Artaud-Series)’, 1969, Mixed Media, Gouache on vellum, collaged, Van Ham
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Nancy Spero

Untitled (Artaud-Series), 1969

Gouache on vellum, collaged
25 × 20 9/10 in
63.5 × 53 cm
Bidding closed
About the work
Provenance
VH
Van Ham

63.5 x 53cm

Signed and dated lower right: Spero 69. Cabinet frame. Not examined out of the frame.

Medium
Nancy Spero
American, 1926–2009
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A leading figure in the feminist art movement of the 1960s, Nancy Spero explored female sexuality, suffering, and heroism, as well as the horrors of war, in gouache and ink works on paper. Spero drew from ancient mythologies and iconographies to produce her burlesque cast of pagan goddesses, Celtic fertility figures, and Amazon warriors, which she pulled from books on ancient art before manipulating and incorporating them into her own drawings and collages. Her well-known 1966–70 “War” series, produced during the Vietnam years, explored the atrocities of war, a subject Spero revisited in her later career with frieze-like drawings installed around the walls of galleries, depicting masses of screaming figures and helicopters overhead dropping human-shaped bombs. Her work Cri de Coeur (2005) portrays mourning women from ancient Egypt. “I am thinking about the women’s condition, showing victimage or celebratory sexuality in an exaggerated way,” she once said. Spero was married to the late artist Leon Golub, and was a founding member of the feminist A.I.R. gallery, started in 1972.

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Nancy Spero, ‘Untitled (Artaud-Series)’, 1969, Mixed Media, Gouache on vellum, collaged, Van Ham
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Save
Save
View
View in room
Share
Share
About the work
Provenance
VH
Van Ham

63.5 x 53cm

Signed and dated lower right: Spero 69. Cabinet frame. Not examined out of the frame.

Medium
Nancy Spero
American, 1926–2009
Follow

A leading figure in the feminist art movement of the 1960s, Nancy Spero explored female sexuality, suffering, and heroism, as well as the horrors of war, in gouache and ink works on paper. Spero drew from ancient mythologies and iconographies to produce her burlesque cast of pagan goddesses, Celtic fertility figures, and Amazon warriors, which she pulled from books on ancient art before manipulating and incorporating them into her own drawings and collages. Her well-known 1966–70 “War” series, produced during the Vietnam years, explored the atrocities of war, a subject Spero revisited in her later career with frieze-like drawings installed around the walls of galleries, depicting masses of screaming figures and helicopters overhead dropping human-shaped bombs. Her work Cri de Coeur (2005) portrays mourning women from ancient Egypt. “I am thinking about the women’s condition, showing victimage or celebratory sexuality in an exaggerated way,” she once said. Spero was married to the late artist Leon Golub, and was a founding member of the feminist A.I.R. gallery, started in 1972.

Nancy Spero

Untitled (Artaud-Series), 1969

Gouache on vellum, collaged
25 × 20 9/10 in
63.5 × 53 cm
Bidding closed
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