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Nathan Carter, ‘IN ZERO GRAVITY THE UNCLASSIFIABLE COMPONENTS ARE DISSIPATING AND THE REFLECTOR PANELS ARE SOFTENING’, 2015, Casey Kaplan
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Nathan Carter

IN ZERO GRAVITY THE UNCLASSIFIABLE COMPONENTS ARE DISSIPATING AND THE REFLECTOR PANELS ARE SOFTENING, 2015

Color pigment pencil, acrylic paint, ink
38 × 50 in
96.5 × 127 cm
Location
New York
About the work
Casey Kaplan
New York

Framed: 41.5 x 53.5" / 105.4 x 135.9cm

Medium
Mixed Media
Image rights
Photo: Jean Vong; Courtesy of the artist and Casey Kaplan, New York
Nathan Carter
American, b. 1970
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Best known for his brightly-colored, playful sculptures with idiosyncratic titles, Nathan Carter creates two- and three-dimensional works made from conventional materials such as Plexiglas, wire, and wood as well as small “street treasures” the artist finds on walks through his Brooklyn neighborhood. Like his drawings and collages on paper, Carter’s playful, delicate mobiles and standing sculptures possess a precarious sense of balance. The collection entitled “Radio Transmission Contraptions” (2008) demonstrates Carter’s ongoing interest in technologically moribund forms of communication.

Nathan Carter, ‘IN ZERO GRAVITY THE UNCLASSIFIABLE COMPONENTS ARE DISSIPATING AND THE REFLECTOR PANELS ARE SOFTENING’, 2015, Casey Kaplan
Save
Save
View
View in room
Share
Share
About the work
Casey Kaplan
New York

Framed: 41.5 x 53.5" / 105.4 x 135.9cm

Medium
Mixed Media
Image rights
Photo: Jean Vong; Courtesy of the artist and Casey Kaplan, New York
Nathan Carter
American, b. 1970
Follow

Best known for his brightly-colored, playful sculptures with idiosyncratic titles, Nathan Carter creates two- and three-dimensional works made from conventional materials such as Plexiglas, wire, and wood as well as small “street treasures” the artist finds on walks through his Brooklyn neighborhood. Like his drawings and collages on paper, Carter’s playful, delicate mobiles and standing sculptures possess a precarious sense of balance. The collection entitled “Radio Transmission Contraptions” (2008) demonstrates Carter’s ongoing interest in technologically moribund forms of communication.

Nathan Carter

IN ZERO GRAVITY THE UNCLASSIFIABLE COMPONENTS ARE DISSIPATING AND THE REFLECTOR PANELS ARE SOFTENING, 2015

Color pigment pencil, acrylic paint, ink
38 × 50 in
96.5 × 127 cm
Location
New York
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