Nazgol Ansarinia, ‘Reflections/Refractions, 26th Oct 2014, front page.’, 2014, Whitechapel Gallery
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Reflections/Refractions, 26th Oct 2014, front page., 2014

Printing ink on aluminum plate
23 3/5 × 29 3/10 in
59.9 × 74.4 cm
Edition of 70
This is part of a limited edition set.
£412
Location
London
Have a question? Visit our help center.
About the work
Whitechapel Gallery
London

Edition of 70 signed recto, numbered verso.
Unframed.

Medium
Print
Nazgol Ansarinia
Iranian, b. 1979
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A winner of the Abraaj Capital Art Prize, Nazgol Ansarinia makes multimedia works that, in her own words, reveal the “inner workings of a social system” and how these affect the subconscious mind. Ansarinia’s practice is rooted in research and studying networks relating to everyday life, such as automated telephone sequences, American security policies, and the circulation of news. Her series “Reflection/Refractions” (2012), for example, is comprised of collages made from two newspaper articles covering the same story, arranged based on ayene kari (Iranian mirror mosaic) patterns, such that the text is ultimately illegible. Ansarinia also visualizes the anxiety generated by bureaucracy and the Iranian state using quotidian objects, such as embroidered tapestries with motifs of civilians, or furniture that conspicuously has its middle sections missing.

Nazgol Ansarinia, ‘Reflections/Refractions, 26th Oct 2014, front page.’, 2014, Whitechapel Gallery
Save
Save
View
View in room
Share
Share
About the work
Whitechapel Gallery
London

Edition of 70 signed recto, numbered verso.
Unframed.

Medium
Print
Nazgol Ansarinia
Iranian, b. 1979
Follow

A winner of the Abraaj Capital Art Prize, Nazgol Ansarinia makes multimedia works that, in her own words, reveal the “inner workings of a social system” and how these affect the subconscious mind. Ansarinia’s practice is rooted in research and studying networks relating to everyday life, such as automated telephone sequences, American security policies, and the circulation of news. Her series “Reflection/Refractions” (2012), for example, is comprised of collages made from two newspaper articles covering the same story, arranged based on ayene kari (Iranian mirror mosaic) patterns, such that the text is ultimately illegible. Ansarinia also visualizes the anxiety generated by bureaucracy and the Iranian state using quotidian objects, such as embroidered tapestries with motifs of civilians, or furniture that conspicuously has its middle sections missing.

Reflections/Refractions, 26th Oct 2014, front page., 2014

Printing ink on aluminum plate
23 3/5 × 29 3/10 in
59.9 × 74.4 cm
Edition of 70
This is part of a limited edition set.
£412
Location
London
Have a question? Visit our help center.
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