Untitled
Untitled

Estimate: $18,500.
Drawing inspiration from Op art and Frank Stella, Ned Vena creates work out of an assortment of non-fine art materials—including vinyl, spray rubber, security glass, and commercial ink—which he covers with V-shaped, gridded lines, intentionally marred with a variety of surface imperfections. Vena begins on the computer, working out his angular grids, which he then transfers to canvases with vinyl stencils, in effect producing compositions that play with viewers’ perceptions.

The work was painted specifically for the Watermill benefit.

About Ned Vena

Merging digital technology, industrial production, graffiti, and the handmade, Ned Vena makes paintings, sculptures, installations, and films through which he explores and, ultimately, upends notions of form, process, and concept in art making. Drawing inspiration from Minimalism, Op and Pop Art, and Frank Stella’s “Black Paintings,” he creates compositions out of an assortment of non-fine art materials—including vinyl, spray rubber, security glass, and commercial ink—which he covers with V-shaped, gridded lines, intentionally marred with a variety of surface imperfections. Vena begins on the computer, working out his angular grids, which he then transfers to canvases with vinyl stencils. He has also affixed these stencils directly onto gallery walls and other surfaces, blurring the boundaries between art and the everyday, and the unique, precious object and mass production.

American, b. 1982, Boston, Massachusetts, based in Brooklyn, New York

Group Shows on Artsy

2015
Geometric Obsession, Museo de Arte Contemporáneo de Buenos Aires, Ciudad Autónoma de Buenos Aires
2015
Black. An Idea of Light, Cortesi Gallery, Lugano