L.A. in Sharp Contrast
A sought-after commercial photographer, Nicholas Alan Cope also has a personal practice in which he stages subjects—from flowers and fashion to architecture and folded sheets of paper—to create formally rigorous, near-abstract photographs. This work stems from his debut photography book, Whitewash, a collection of black-and-white shots of Los Angeles.
Framed. Image is 30x20" on 30x40" paper.
Smaller (24x18") print available as well, for $2250 (framed).
Unframed options also available—please inquire for pricing.
Signature: signed, dated and edition marked on back.
From Nicholas Alan Cope's inaugural New York solo exhibition; "WHITEWASH" at Mondo Cane Gallery.
Included in the photographer's first monograph, WHITEWASH.
powerHouse books, 2013
In his striking and unsettling photographs of his adoptive hometown, Los Angeles resident Nicholas Alan Cope signals the acute societal contrasts of the city by rendering its facades as graphic planes of searing white and velvety black, a series of solids and voids, exemplified by Studio City, June 2007 (2013). In both his work as an artist and as a commercial photographer—for the likes of Nike and Dior—Cope treats other subjects to similarly uncanny effect: trees become studies in texture against flat, blown-out skies; lipsticks are blood-red obelisks; muslin-draped models transform into statues of Greek marble.
American, b. 1983, Takoma Park, Maryland, based in Los Angeles, California