Niki de Saint Phalle, ‘Serpent Table’, 1980, Phillips
Niki de Saint Phalle, ‘Serpent Table’, 1980, Phillips
Niki de Saint Phalle, ‘Serpent Table’, 1980, Phillips
Niki de Saint Phalle, ‘Serpent Table’, 1980, Phillips

Property Subject to the Artist's Resale Right (see Conditions of Sale for further information)

Signature: With stamped signature and numbered 5/20 in black ink on the underside of the base (there were also 5 artist's proofs), manufactured by R. Haligon Plastiques d'Art (with their stamp on the underside) and published by Galerie Micheline Szwajcer, Antwerp.

Niki de Saint Phalle: Liebe, Protest, Phantasie, exh. cat, Ulm, Ulmer Museum, 1999 (another from the edition illustrated in colour, p. 122).

About Niki de Saint Phalle

An enfant terrible ever trying to escape the bourgeois existence into which she was born, Niki de Saint-Phalle taught herself painting and rose to artistic prominence through her colorful monumental outdoor sculptures of extravagantly voluptuous female figures. Early in her career, she became known for the abstract paintings she made by placing paint-filled bags above canvases and shooting them—a form of protest against patriarchy and rigidity. Through her “nanas”, a series of life-size papier maché dolls of the proverbial “everywoman”—including brides and mothers giving birth—de Saint-Phalle contemplated women’s societal roles. Later, inspired by Antoni Gaudí´s Parc Güell in Barcelona, she set out to create something equally impressive but made by a woman; the result was Il Giardino dei Tarocchi (The Tarot Garden), a garden filled with colorful sculptures based on Tarot card symbols, which she created over 20 years on land she acquired in Tuscany.

French, 1930-2002, Paris, France, based in Europe