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[Untitled], 1964

Paint, plastic and plaster, on wood backing, in the original wood frame
28 3/10 × 28 3/10 × 2 4/5 in
71.8 × 71.8 × 7 cm
Edition 77/100
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
About the work
P
Phillips
Signature
Signed and numbered 77/100 in black ink on a label affixed to the reverse
Publisher
Edition MAT (Multiplication d'Art Transformable), Paris
Niki de Saint Phalle
French, 1930–2002
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An enfant terrible ever trying to escape the bourgeois existence into which she was born, Niki de Saint-Phalle taught herself painting and rose to artistic prominence through her colorful monumental outdoor sculptures of extravagantly voluptuous female figures. Early in her career, she became known for the abstract paintings she made by placing paint-filled bags above canvases and shooting them—a form of protest against patriarchy and rigidity. Through her “nanas”, a series of life-size papier maché dolls of the proverbial “everywoman”—including brides and mothers giving birth—de Saint-Phalle contemplated women’s societal roles. Later, inspired by Antoni Gaudí´s Parc Güell in Barcelona, she set out to create something equally impressive but made by a woman; the result was Il Giardino dei Tarocchi (The Tarot Garden), a garden filled with colorful sculptures based on Tarot card symbols, which she created over 20 years on land she acquired in Tuscany.

Save
Save
share
Share
Save
Save
share
Share
About the work
P
Phillips
Signature
Signed and numbered 77/100 in black ink on a label affixed to the reverse
Publisher
Edition MAT (Multiplication d'Art Transformable), Paris
Niki de Saint Phalle
French, 1930–2002
Follow

An enfant terrible ever trying to escape the bourgeois existence into which she was born, Niki de Saint-Phalle taught herself painting and rose to artistic prominence through her colorful monumental outdoor sculptures of extravagantly voluptuous female figures. Early in her career, she became known for the abstract paintings she made by placing paint-filled bags above canvases and shooting them—a form of protest against patriarchy and rigidity. Through her “nanas”, a series of life-size papier maché dolls of the proverbial “everywoman”—including brides and mothers giving birth—de Saint-Phalle contemplated women’s societal roles. Later, inspired by Antoni Gaudí´s Parc Güell in Barcelona, she set out to create something equally impressive but made by a woman; the result was Il Giardino dei Tarocchi (The Tarot Garden), a garden filled with colorful sculptures based on Tarot card symbols, which she created over 20 years on land she acquired in Tuscany.

[Untitled], 1964

Paint, plastic and plaster, on wood backing, in the original wood frame
28 3/10 × 28 3/10 × 2 4/5 in
71.8 × 71.8 × 7 cm
Edition 77/100
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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