Noritoshi Hirakawa, ‘Masa Yoshimoto, 4:35 P.M., Aug 10, 2008, Osaka, Osaka / Ayako Yoshimoto, 1:00 P.M., Aug 6, 2008, Higashi, Shibuya’, 2008, Blindspot Gallery

Hirakawa’s works often explore the disparities of invisible social hierarchies and uncover social taboos hidden in the Japanese social system. In A Sense of Accomplishment, he focuses on issues of bonding between daughters and their parents in present-day Japanese society. The work attempts to prove the existence of a reality where families can transcend superficial values and remains connected even on a subconscious level.

About Noritoshi Hirakawa

Noritoshi Hirakawa’s photographs, films, and performances confront the repressive constraints of social mores, subverting polite behavior to model alternative social relations. “I think it is very important to create an environment, a natural place for emotion to come out. . . . It’s a great time to have a new discourse because people are interested in evolving their consciousness,” Hirakawa has said. Hirakawa’s photographs express sexual taboos and negative emotions considered inappropriate for public expression. His 1999 photograph Tanja’s World mimics Andrew Wyeth’s famous painting Christina’s World (1948), featuring a woman crawling across a large field toward a house. The image communicates desperation and longing, and it creates a space for these emotions to play out in an otherwise emotionally numb public sphere.

Japanese, b. 1960, Fukuoka, Japan, based in New York, New York

Solo Shows

2014
Chi-Wen Gallery, 
Infinite Dance - Solo Exhibition by Noritoshi Hirakawa

Group Shows

1993
Venice Biennale, 
Venice, Italy,
Inbetween