Odilon Redon, ‘Visage Idéaliste’, 1896, Galerie Céline Moine & LGFA
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Odilon Redon

Visage Idéaliste, 1896

Lithograph
17 3/5 × 12 1/5 in
44.6 × 31 cm
.
€3,000
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About the work
Bibliography
Provenance
Galerie Céline Moine & LGFA

Oeuvre pour le Frontispice pour le Mouvement idéaliste en peinture, 1896, Paris

Medium
Signature
Hand signed with the artist's intitials
Publisher
Frontispice pour le Mouvement idéaliste en peinture
Image rights
Odilon Redon
French, 1840–1916
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Known for his unique blend of artistic naturalism and symbolic subject matter, Odilon Redon was highly influential among the late 19th century French avant-garde circle. Working in charcoal, pastel, oil, and lithography, Redon created imaginative scenes that, while often based in the supernatural, were nonetheless executed in a highly representational manner. Redon considered this descriptive accuracy essential, writing “every time that a human figure does not give the illusion that it is … about to come out of the picture frame to walk, act or think, the drawing is not a truly modern one.” Redon was influenced by the poetry of Charles Baudelaire and Stéphane Mallarmé and admired by the painters Gustave Moreau and Gustave Klimt—as such he is often remembered as a Symbolist, though Redon preferred autonomy and never actually considered himself part of the group.

Odilon Redon, ‘Visage Idéaliste’, 1896, Galerie Céline Moine & LGFA
Save
Save
View
View in room
Share
Share
About the work
Bibliography
Provenance
Galerie Céline Moine & LGFA

Oeuvre pour le Frontispice pour le Mouvement idéaliste en peinture, 1896, Paris

Medium
Signature
Hand signed with the artist's intitials
Publisher
Frontispice pour le Mouvement idéaliste en peinture
Image rights
Odilon Redon
French, 1840–1916
Follow

Known for his unique blend of artistic naturalism and symbolic subject matter, Odilon Redon was highly influential among the late 19th century French avant-garde circle. Working in charcoal, pastel, oil, and lithography, Redon created imaginative scenes that, while often based in the supernatural, were nonetheless executed in a highly representational manner. Redon considered this descriptive accuracy essential, writing “every time that a human figure does not give the illusion that it is … about to come out of the picture frame to walk, act or think, the drawing is not a truly modern one.” Redon was influenced by the poetry of Charles Baudelaire and Stéphane Mallarmé and admired by the painters Gustave Moreau and Gustave Klimt—as such he is often remembered as a Symbolist, though Redon preferred autonomy and never actually considered himself part of the group.

Odilon Redon

Visage Idéaliste, 1896

Lithograph
17 3/5 × 12 1/5 in
44.6 × 31 cm
.
€3,000
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
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