Ola Kolehmainen, ‘1951’, 2004, Photography, C-print, Diasec (silicon mounted between Plexiglas and Reynobond sandwich), Galeria Senda
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Ola Kolehmainen

1951, 2004

C-print, Diasec (silicon mounted between Plexiglas and Reynobond sandwich)
70 9/10 × 93 3/10 in
180 × 237 cm
Edition 4/5 + 2AP
.
Contact For Price
Location
Barcelona
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About the work
Galeria Senda
Barcelona

Berlin / Russian Embassy

Medium
Ola Kolehmainen
Finnish, b. 1964
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In his monumental photographs of modern architecture, Ola Kolehmainen zeroes in on a building’s unremarkable details, reducing facades to simple forms and blocks of color evocative of abstract Minimalist paintings. Titles such as “Milano Wall Painting” confirm this notion as much as the images to which they refer—the photographs in this 2010 series feature a mustard-yellow background punctuated by various black and/or off-white linear shapes. Only rarely does an element of a building’s surrounding environment, such as a bird or a cloud, make its way into the frame. Mounted on shiny acrylic glass, the photographs are also notable for their glossiness. Kolehmainen’s work exemplifies the Helsinki School’s dedication to realizing high concept, thematic photographic series.

Ola Kolehmainen, ‘1951’, 2004, Photography, C-print, Diasec (silicon mounted between Plexiglas and Reynobond sandwich), Galeria Senda
Save
Save
View
View in room
Share
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About the work
Galeria Senda
Barcelona

Berlin / Russian Embassy

Medium
Ola Kolehmainen
Finnish, b. 1964
Follow

In his monumental photographs of modern architecture, Ola Kolehmainen zeroes in on a building’s unremarkable details, reducing facades to simple forms and blocks of color evocative of abstract Minimalist paintings. Titles such as “Milano Wall Painting” confirm this notion as much as the images to which they refer—the photographs in this 2010 series feature a mustard-yellow background punctuated by various black and/or off-white linear shapes. Only rarely does an element of a building’s surrounding environment, such as a bird or a cloud, make its way into the frame. Mounted on shiny acrylic glass, the photographs are also notable for their glossiness. Kolehmainen’s work exemplifies the Helsinki School’s dedication to realizing high concept, thematic photographic series.

Ola Kolehmainen

1951, 2004

C-print, Diasec (silicon mounted between Plexiglas and Reynobond sandwich)
70 9/10 × 93 3/10 in
180 × 237 cm
Edition 4/5 + 2AP
.
Contact For Price
Location
Barcelona
Have a question? Visit our help center.
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