Olafur Eliasson, ‘Flatland light’, 2018, Sculpture, Colour-effect filter glass (red, green), stainless steel, fluorescent light, balast, paint (black), cable, i8 Gallery
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Olafur Eliasson

Flatland light, 2018

Colour-effect filter glass (red, green), stainless steel, fluorescent light, balast, paint (black), cable
24 3/4 × 15 1/8 × 13 5/8 in
62.9 × 38.4 × 34.6 cm
Edition of 12
.
€40,000 - 50,000
Location
Reykjavík
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Have a question? Visit our help center.
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Olafur Eliasson
Danish-Icelandic, b. 1967
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“It is not just about decorating the world… but about taking responsibility,” Olafur Eliasson said of his practice in a 2009 TED Talk. Eliasson uses natural elements (like light, water, fog) and makeshift technical devices to transform museum galleries and public areas into immersive environments. Prompting reflection on the spaces surrounding us, for Green River (1998-2001) he poured bright green (environmentally safe) dye into rivers running through downtown L.A., Stockholm, Tokyo, and other cities to “show the turbulence in these downtown areas” and to remind passersby of the cities’ vitality. Similarly, by installing four large waterfalls in New York’s East River (2008), he intended to give the city a sense of dimension; Eliasson also famously installed a giant artificial sun inside the Tate Modern (The weather project, 2003). Known for their elegant simplicity and lack of materiality, his installations are rooted in a belief that art can create a space sensitive to both individual and collective.

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Olafur Eliasson, ‘Flatland light’, 2018, Sculpture, Colour-effect filter glass (red, green), stainless steel, fluorescent light, balast, paint (black), cable, i8 Gallery
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Save
Save
Share
Share
Medium
Certificate of authenticity
Included
Olafur Eliasson
Danish-Icelandic, b. 1967
Follow

“It is not just about decorating the world… but about taking responsibility,” Olafur Eliasson said of his practice in a 2009 TED Talk. Eliasson uses natural elements (like light, water, fog) and makeshift technical devices to transform museum galleries and public areas into immersive environments. Prompting reflection on the spaces surrounding us, for Green River (1998-2001) he poured bright green (environmentally safe) dye into rivers running through downtown L.A., Stockholm, Tokyo, and other cities to “show the turbulence in these downtown areas” and to remind passersby of the cities’ vitality. Similarly, by installing four large waterfalls in New York’s East River (2008), he intended to give the city a sense of dimension; Eliasson also famously installed a giant artificial sun inside the Tate Modern (The weather project, 2003). Known for their elegant simplicity and lack of materiality, his installations are rooted in a belief that art can create a space sensitive to both individual and collective.

Olafur Eliasson

Flatland light, 2018

Colour-effect filter glass (red, green), stainless steel, fluorescent light, balast, paint (black), cable
24 3/4 × 15 1/8 × 13 5/8 in
62.9 × 38.4 × 34.6 cm
Edition of 12
.
€40,000 - 50,000
Location
Reykjavík
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
Series by this artist
Other works by Olafur Eliasson
Related works