Oleg Kulik, ‘Marriage’, 1999, Photography, Lightfoot print on aluminium and plexiglass, Giampaolo Abbondio
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Oleg Kulik

Marriage, 1999

Lightfoot print on aluminium and plexiglass
83 1/10 × 59 1/10 in
211 × 150 cm
.
Contact For Price
Location
Milan
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Medium
Oleg Kulik
Russian, b. 1961
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Among the leading artists of post-Soviet Russia, Oleg Kulik has been producing edgy performances, sculptures, installations, and photographs since the mid-1990s. Through his art, he comments on Russia and the West, politics and power, and humankind’s place in and relationship to nature. Kulik began his career as a sculptor and curator at Moscow’s Regina Gallery, where he presented unconventional exhibitions. Describing his trajectory, he has said, “When I came to Moscow, I made glass sculptures—transparent figurative things—and nobody liked them. . . . Then I became a performer, created a huge scandal with my man-dog antics, got a show at Deitch Projects, and after that I felt the freedom to go on as an artist.” In some of Kulik’s most controversial performances, he transformed himself into a dog to reveal deeply troubling truths about human nature.

Oleg Kulik, ‘Marriage’, 1999, Photography, Lightfoot print on aluminium and plexiglass, Giampaolo Abbondio
Save
Save
View
View in room
Share
Share
Medium
Oleg Kulik
Russian, b. 1961
Follow

Among the leading artists of post-Soviet Russia, Oleg Kulik has been producing edgy performances, sculptures, installations, and photographs since the mid-1990s. Through his art, he comments on Russia and the West, politics and power, and humankind’s place in and relationship to nature. Kulik began his career as a sculptor and curator at Moscow’s Regina Gallery, where he presented unconventional exhibitions. Describing his trajectory, he has said, “When I came to Moscow, I made glass sculptures—transparent figurative things—and nobody liked them. . . . Then I became a performer, created a huge scandal with my man-dog antics, got a show at Deitch Projects, and after that I felt the freedom to go on as an artist.” In some of Kulik’s most controversial performances, he transformed himself into a dog to reveal deeply troubling truths about human nature.

Oleg Kulik

Marriage, 1999

Lightfoot print on aluminium and plexiglass
83 1/10 × 59 1/10 in
211 × 150 cm
.
Contact For Price
Location
Milan
Have a question? Visit our help center.
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