Oswaldo Guayasamín, ‘Cabeza de Niña con fondo Azul ’, 1995, Painting, Oil on Canvas, Galería Duque Arango
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Oswaldo Guayasamín

Cabeza de Niña con fondo Azul , 1995

Oil on Canvas
31 1/2 × 39 2/5 in
80 × 100 cm
.
Contact For Price
Location
Medellin, New York
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
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Medium
Condition
Perfect
Signature
Hand-signed by artist, Lower right
Certificate of authenticity
Included
Frame
Included
Oswaldo Guayasamín
Ecuadorian, 1919–1999
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In denouncement of violence, painter and sculptor Oswaldo Guayasamín dedicated his practice to exploring expressions of pain and misery in the collective human history. His work, which he considered an homage to the struggle of mankind, was both expressionist and humanist in style; he also borrowed significantly from the folk painting traditions of indigenous peoples of Latin America. As a result, Guayasamín is sometimes considered an “indigenous expressionist”. He produced sculptures, murals, and paintings, and at the time of his death was working on his massive monument Chapel of Man. The most common subject in his works is the human figure, distorted by pain into an emaciated and skeletal form.

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Oswaldo Guayasamín, ‘Cabeza de Niña con fondo Azul ’, 1995, Painting, Oil on Canvas, Galería Duque Arango
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Save
Save
View
View in room
Share
Share
Medium
Condition
Perfect
Signature
Hand-signed by artist, Lower right
Certificate of authenticity
Included
Frame
Included
Oswaldo Guayasamín
Ecuadorian, 1919–1999
Follow

In denouncement of violence, painter and sculptor Oswaldo Guayasamín dedicated his practice to exploring expressions of pain and misery in the collective human history. His work, which he considered an homage to the struggle of mankind, was both expressionist and humanist in style; he also borrowed significantly from the folk painting traditions of indigenous peoples of Latin America. As a result, Guayasamín is sometimes considered an “indigenous expressionist”. He produced sculptures, murals, and paintings, and at the time of his death was working on his massive monument Chapel of Man. The most common subject in his works is the human figure, distorted by pain into an emaciated and skeletal form.

Oswaldo Guayasamín

Cabeza de Niña con fondo Azul , 1995

Oil on Canvas
31 1/2 × 39 2/5 in
80 × 100 cm
.
Contact For Price
Location
Medellin, New York
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
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