Otto Mueller, ‘Selbstbildnis mit Modell und Maske’, 1921-22, Christie's


Signed in pencil, a very good impression, one of approximately twenty proofs before the numbered edition of thirty, published by J.B. Neumann, Berlin, the full sheet, generally in very good condition
Image 390 x 295 mm., Sheet 562 x 440 mm.

Karsch 141a

Dr. Heinrich Becker (1881-1972), Bielefeld; then by descent to the present owners.

About Otto Mueller

Otto Mueller’s Expressionist paintings and prints developed from an earlier style deeply rooted in Post-Impressionism, Symbolism, and Jugendstil (Art Nouveau), maintaining the latter’s emphasis on graceful silhouettes. Mueller distinguished himself from his Die Brücke peers by focusing more on harmonious simplification of color than expressing raw emotion, as exemplified by Reclining Nude in the Dunes (1923). Representative of the classically elegant female nudes in landscapes for which he is most celebrated, the tempera painting depicts a woman lying face down in the sand—the strong contours of her body echo the desert topography and evoke the communion of humans and nature, rather than intense emotion more typical of Expressionism. The pinnacle of his graphic art is “Gypsy-Portfolio” (1927), a series of nine boldly colored lithographs.

German, 1874-1930, Libawka, Poland