Pablo Picasso, ‘Le repos du sculpteur III ’, 1933, Fairhead Fine Art Limited
Pablo Picasso, ‘Le repos du sculpteur III ’, 1933, Fairhead Fine Art Limited

Also known as: Vieux Sculpteur et modele assoupi avec un group sculpte representant des chevaux Luttant

Series: Suite Vollard

Signature: signed in pencil

Publisher: Ambroise Vollard

Public Collections: Musee Picasso, Paris

Bloch, Georges. Pablo Picasso, catalogue de l'oeuvre gravé et lithographié, 4 vol. Berne: Kornfeld and Klipstein. 1968-1979. (I:173)
Bois, Yve-Alain, ed. Picasso Harlequin 1917-1937 (Complesso del Vittoriano,
Rome, 11 October, 2008 - 8 February, 2009). Milano: Skira. 2008. (V.59)
Bolliger, Hans & Bernhard Geiser. Picasso's Vollard Suite. London: Thames and Hudson. 1956,
1977, 1994. (64)
Boone, Danièle. Picasso. New York: Portland House. 1989. (24p)
Clair, Jean, Gérard Régnier & Dominique Dupuis-Labbé.(Galerie nationale du Jeu de Paume,
Paris, 19/20 février - 20 Mai, 2001; Musée des Beaux-Arts de Montréal, 14 juin - 16 septembre, 2001;
Museu Picasso, Barcelona, 15/25 octubre, 2001 - 20/27 enero, 2002). New York: Prestel. 2001.
Dagen, Philippe. Picasso. New York: The Monacelli Press. 2009. (284p)
Geiser, Bernhard and Brigitte Baer. Picasso: Peintre-Graveur, Catalogue raisonné de l'oeuvre gravé et des monotypes, 7 vols. Berne: Kornfeld. 1986-1996. (Baer 326)
Mallen, Enrique, ed. Online Picasso Project. Sam Houston State University. 1997-2017. (33:066)
Mourlot, Fernand. Picasso lithographe, 4 vols. Monte Carlo: André Sauret, Editions du Livre.
Mourlot, Fernand. Picasso: Lithographs. Boston: Book & Art Publisher. 1970.
Penrose, Roland. Picasso: His Life & Work. London: Victor Gollancz; New York: Harper & Brothers;
Harmondsworth: Penguin; London: Granada Publishing; Berkeley: University of California Press
1958; 1959; 1971; 1973; 1981. (14.3)
Thomas, Denis. Picasso & His Art. New York: The Hamlyn Publishing Group. 1978. (51)

The plate for this was cancelled in 1956 and still exists in the Musee Picasso, Paris.
The publication of the hundred etchings created by Picasso between 1930 and 1937 was one of Ambroise Vollard's most impressive undertakings. Vollard was one of the greatest art dealers and publishers of his time and his championship of some of the most celebrated artists of the day deserves the thanks of later generations. His artists, to name but a few, included Cezanne, Renoir, Gauguin, Van Gogh, Rousseau, Rouault and Picasso. Picasso met Vollard in Paris in 1901 and worked with him over an extended period. When the Vollard Suite etchings were first made they were in fact rarely signed (with the exception of some rare proofs made on vellum in editions of 3). Vollard died tragically in a car accident in 1939 and eventually, after the Second World War, most of the Vollard Suite passed into the hands of the famous Dealer Petiet. Petiet knew that Picasso , would never sign anything until he was paid for it and the artist required a substantial fee for putting his signature on the Vollard Suite etchings. Accordingly Petiet gave his buyers the option of buying them either unsigned or, for 10% more on the cost, signed. This meant that Picasso signatures from 1939 until the artists death appear on Vollard Suite etchings. Obviously there is a difference in the artists signature as he aged.
Printed by: Lacouriere in 1939

About Pablo Picasso

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and developments in the world around him, Picasso contributed significantly to a number of artistic movements, notably Cubism, Surrealism, Neoclassicism, and Expressionism. Along with Georges Braque, Picasso is best known for pioneering Cubism in an attempt to reconcile three-dimensional space with the two-dimensional picture plane, once asking, “Are we to paint what’s on the face, what’s inside the face, or what’s behind it?” Responding to the Spanish Civil War, he painted his most famous work, Guernica (1937), whose violent images of anguished figures rendered in grisaille made it a definitive work of anti-war art. “Painting is not made to decorate apartments,” he said. “It’s an offensive and defensive weapon against the enemy.” Picasso’s sizable oeuvre includes over 20,000 paintings, prints, drawings, sculptures, ceramics, theater sets, and costume designs.

Spanish, 1881-1973, Malaga, Spain, based in Paris and Mougins, France