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24-3/8 x 29-1/2 inches (61.9 x 74.9 cm) (sheet)
Proof (aside from an edition of 50)
Published by Galerie Louise Leiris, Paris
Picasso conceived the process of rinsing prints, known as épreuves rincées, in the early 1960s. After printing a heavy deposit of ink, often white, onto the paper, the entire sheet is rinsed with water-based dye which adheres only to the areas left blank and creates shadowy, sometimes uneven effects in the lines and at the border.
- Materials
- Linocut rincee on Arches paper
- Size
- 24 3/8 × 29 1/2 in | 61.9 × 74.9 cm
- Medium
- Mild to moderate light and time staining to the sheet. Mild buckling to the sheet. Matted. Unframed.
- Image rights
- Courtesy of Heritage Auctions
L'Etreinte, II, 1963
24-3/8 x 29-1/2 inches (61.9 x 74.9 cm) (sheet)
Proof (aside from an edition of 50)
Published by Galerie Louise Leiris, Paris
Picasso conceived the process of rinsing prints, known as épreuves rincées, in the early 1960s. After printing a heavy deposit of ink, often white, onto the paper, the entire sheet is rinsed with water-based dye which adheres only to the areas left blank and creates shadowy, sometimes uneven effects in the lines and at the border.
- Materials
- Linocut rincee on Arches paper
- Size
- 24 3/8 × 29 1/2 in | 61.9 × 74.9 cm
- Medium
- Mild to moderate light and time staining to the sheet. Mild buckling to the sheet. Matted. Unframed.
- Image rights
- Courtesy of Heritage Auctions
