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Pablo Picasso, ‘Plate 7, from: El Entierro del Conde de Orgaz’, 1966, Christie's

A rare proof impression before the plate was bevelled and steel-faced, one of only three such proofs, before the unsigned edition of 263 impressions and the signed edition of 12 on japon nacré, the full sheet, a deckle edge below, some pale time staining, otherwise in good condition
Plate 219 x 322 mm., Sheet 281 x 380 mm.

Please note that Artist's Resale Right applies to this lot.

In addition, Import VAT is payable at 5% on the hammer price.

Christie's Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

Bloch 1472; Baer 1383A; see Cramer Books 146

Marina Picasso (B. 1951), Geneva, New York and Cannes (Lugt 3698).
With Jan Krugier Gallery, New York (their label with inventory no. 27655 on the back of frame).

About Pablo Picasso

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and developments in the world around him, Picasso contributed significantly to a number of artistic movements, notably Cubism, Surrealism, Neoclassicism, and Expressionism. Along with Georges Braque, Picasso is best known for pioneering Cubism in an attempt to reconcile three-dimensional space with the two-dimensional picture plane, once asking, “Are we to paint what’s on the face, what’s inside the face, or what’s behind it?” Responding to the Spanish Civil War, he painted his most famous work, Guernica (1937), whose violent images of anguished figures rendered in grisaille made it a definitive work of anti-war art. “Painting is not made to decorate apartments,” he said. “It’s an offensive and defensive weapon against the enemy.” Picasso’s sizable oeuvre includes over 20,000 paintings, prints, drawings, sculptures, ceramics, theater sets, and costume designs.

Spanish, 1881-1973, Malaga, Spain, based in Paris and Mougins, France