Pablo Picasso, ‘Tête de Femme (Dora Maar)’, DICKINSON

Signature: signed lower right Picasso and dated lower left 7 F 43

Image rights: © Simon C Dickinson Ltd

Paris, Musée National d’Art Moderne, De l’impressionnisme à nos jours, June 1958, no. 153.

C. Zervos, Pablo Picasso, Œuvres de 1942 et 1943, vol. XII, p. 334, no. 244 (illus. p. 123 and titled ‘Tête de Femme’).
A. Wofsy, The Picasso Project: Picasso’s Paintings, Watercolours, Drawings & Sculpture, A Comprehensive Illustrated Catalogue: Nazi Occupation 1940-1944, San Francisco, 2002, p. 195, no. 43-051 (illus. and titled ‘Tête’).

M. Beurdeley, Paris.
Saidenberg Gallery, New York.
Simon Neuman, New York.
Ernst Beyeler, Basel.
Private Collection.
Private Collection, UK, acquired in 2015

About Pablo Picasso

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and developments in the world around him, Picasso contributed significantly to a number of artistic movements, notably Cubism, Surrealism, Neoclassicism, and Expressionism. Along with Georges Braque, Picasso is best known for pioneering Cubism in an attempt to reconcile three-dimensional space with the two-dimensional picture plane, once asking, “Are we to paint what’s on the face, what’s inside the face, or what’s behind it?” Responding to the Spanish Civil War, he painted his most famous work, Guernica (1937), whose violent images of anguished figures rendered in grisaille made it a definitive work of anti-war art. “Painting is not made to decorate apartments,” he said. “It’s an offensive and defensive weapon against the enemy.” Picasso’s sizable oeuvre includes over 20,000 paintings, prints, drawings, sculptures, ceramics, theater sets, and costume designs.

Spanish, 1881-1973, Malaga, Spain, based in Paris and Mougins, France