Paul Caponigro, ‘Standing White Deer’, 1967, Photography West Gallery

Pristine original silver gelatin handmade by Paul Caponigro in 1992, mounted on 18x22 inch archival museum board, signed and numbered in an limited edition of 75. Accompanied by a complimentary copy of "Masterworks from Forty Years."

Signature: Lower right hand corner of mount front in pencil

Image rights: Paul Caponigro

Masterworks from Forty Years

About Paul Caponigro

In landscapes and still lifes, Paul Caponigro captures the mundane and the exotic. “I often see the materials of photography as being a type of terrain, and I construct a landscape that I need to first explore in my mind’s eye if I am to make it manifest as an artful image in silver,” he says. Caponigro deftly alludes to his influences and precedents, as in Still life with pears (1999), resembling a 16th-century Dutch still life, or Lud’s Church (1977), recalling Romantic painters such as Caspar David Friedrich. His work is at times highly formal, exploring the textures and shapes of various isolated elements like flowers and rocks. In other works, such as Brewster, New York (1963), he experiments with unusual photo processing, rendering a painterly vision of wild flora.

American, b. 1932, Boston, Massachusetts, based in Cushing, Maine, United States