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Paul Chan

Barely Legal #1, 2004

Archival inkjet print in colors, on wove paper, with full margins
19 × 13 in
48.3 × 33 cm
Bidding closed
About the work
P
Phillips

This Lot is to be Sold with No Reserve

Image: 11 1/2 x 17 in. (29.2 x 43.2 cm)
Sheet: 19 x 13 in. …

Read more

This Lot is to be Sold with No Reserve

Image: 11 1/2 x 17 in. (29.2 x 43.2 cm)
Sheet: 19 x 13 in. (48.3 x 33 cm)

Signed and dated in pencil on the reverse (from the edition of 10), published by the artist, framed.

Paul Chan
American, b. 1973
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Driven by the conceptual and formal possibilities of the tension between light and dark, and good and evil, Paul Chan is best known for his projected animations that use shadows and silhouettes to engage cultural commentary and contemporary modes of communication. In an extended series of animated videos (featured prominently in his 2008 solo exhibition “The 7 Lights” at the New Museum), a diverse cast of objects, symbols, and characters fall through the air in an eerie nod to catastrophes and phenomena like September 11th, the Apocalypse, and the Rapture. His practice also includes text-based paintings, posters, and books that explore allegorical themes including technology, spirituality, war, and death. In the same way that Chan’s shadow animations suggest new definitions for familiar symbols, his texts create alternate readings. One poster, plastered throughout the streets of New York City, read, “You think things will end. And that will be the opening. I want you to know things don’t think to end. And that is the promise and the threat.”

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view
View in room
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Save
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view
View in room
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About the work
P
Phillips

This Lot is to be Sold with No Reserve

Image: 11 1/2 x 17 in. (29.2 x 43.2 cm)
Sheet: 19 x 13 in. …

Read more

This Lot is to be Sold with No Reserve

Image: 11 1/2 x 17 in. (29.2 x 43.2 cm)
Sheet: 19 x 13 in. (48.3 x 33 cm)

Signed and dated in pencil on the reverse (from the edition of 10), published by the artist, framed.

Paul Chan
American, b. 1973
Follow

Driven by the conceptual and formal possibilities of the tension between light and dark, and good and evil, Paul Chan is best known for his projected animations that use shadows and silhouettes to engage cultural commentary and contemporary modes of communication. In an extended series of animated videos (featured prominently in his 2008 solo exhibition “The 7 Lights” at the New Museum), a diverse cast of objects, symbols, and characters fall through the air in an eerie nod to catastrophes and phenomena like September 11th, the Apocalypse, and the Rapture. His practice also includes text-based paintings, posters, and books that explore allegorical themes including technology, spirituality, war, and death. In the same way that Chan’s shadow animations suggest new definitions for familiar symbols, his texts create alternate readings. One poster, plastered throughout the streets of New York City, read, “You think things will end. And that will be the opening. I want you to know things don’t think to end. And that is the promise and the threat.”

Paul Chan

Barely Legal #1, 2004

Archival inkjet print in colors, on wove paper, with full margins
19 × 13 in
48.3 × 33 cm
Bidding closed
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