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Paul Evans

Untitled (sculpture), c. 1965

Bronze resin
11 × 22 × 6 in
27.9 × 55.9 × 15.2 cm
Bidding closed
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About the work
Provenance
W
Wright

USA

This work comes from the collection of George Fry, a craftsman who began working with Evans in …

Read more

USA

This work comes from the collection of George Fry, a craftsman who began working with Evans in 1965 to develop the Sculpted Bronze technique.

Medium
Sculpture
Paul Evans
American, 1931–1987
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A former metalworker, Paul Evans set up his own design studio in 1955 and, over the course of decades, became known for his sculpture, furniture, and contributions to the American Studio Craft Movement in the ’70s. The musician Lenny Kravitz once called Evans’s work, which he collects, “stunningly beautiful, stunningly ugly, stunningly tacky, stunningly sophisticated.” His career is divided into phases, each of which is defined by different styles and materials—the latter of which have included copper, bronze, pewter, sculpted steel, and argente. Hallmarks of his work include high relief, abstractly patterned surfaces, combining gilding, gnarled wood, and metal filigree. He also embraced and pioneered the integration of technology into design, including features such as remote-controlled doors and shelves in his creations.

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share
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About the work
Provenance
W
Wright

USA

This work comes from the collection of George Fry, a craftsman who began working with Evans in …

Read more

USA

This work comes from the collection of George Fry, a craftsman who began working with Evans in 1965 to develop the Sculpted Bronze technique.

Medium
Sculpture
Paul Evans
American, 1931–1987
Follow

A former metalworker, Paul Evans set up his own design studio in 1955 and, over the course of decades, became known for his sculpture, furniture, and contributions to the American Studio Craft Movement in the ’70s. The musician Lenny Kravitz once called Evans’s work, which he collects, “stunningly beautiful, stunningly ugly, stunningly tacky, stunningly sophisticated.” His career is divided into phases, each of which is defined by different styles and materials—the latter of which have included copper, bronze, pewter, sculpted steel, and argente. Hallmarks of his work include high relief, abstractly patterned surfaces, combining gilding, gnarled wood, and metal filigree. He also embraced and pioneered the integration of technology into design, including features such as remote-controlled doors and shelves in his creations.

Paul Evans

Untitled (sculpture), c. 1965

Bronze resin
11 × 22 × 6 in
27.9 × 55.9 × 15.2 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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