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Paul Gauguin

The Red Cow, 1889

Oil on canvas
35 3/4 × 28 3/4 in
90.8 × 73 cm
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About the work
Los Angeles County Museum of Art
Los Angeles
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In the collection of European Painting and Sculpture at LACMA.

Mr. and Mrs. George Gard De Sylva …

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In the collection of European Painting and Sculpture at LACMA.

Mr. and Mrs. George Gard De Sylva Collection (M.48.17.2)

Medium
Painting
Image rights
Image provided by the Los Angeles County Museum of Art
Paul Gauguin
French, 1848–1903
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A pioneer of the Symbolist art movement in France, Paul Gauguin is renowned for his “savage” art depicting sumptuous Tahitian women, nude bathers and haystacks in the Breton landscape, and decorative door panels around his hut on the Marquesas Islands in French Polynesia. Although Gauguin began his artistic career with the Impressionists in Paris, during the 1880s he sought to escape from Western civilization—first moving to Brittany and Arles in France, where he met Van Gogh, and then to French Polynesia—in search of a paradise were he could create pure, “primitive” art. “There is no such thing as exaggeration in art,” wrote Gauguin in 1885. “And I even believe that there is salvation only in extremes.”

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About the work
Los Angeles County Museum of Art
Los Angeles
Follow

In the collection of European Painting and Sculpture at LACMA.

Mr. and Mrs. George Gard De Sylva …

Read more

In the collection of European Painting and Sculpture at LACMA.

Mr. and Mrs. George Gard De Sylva Collection (M.48.17.2)

Medium
Painting
Image rights
Image provided by the Los Angeles County Museum of Art
Paul Gauguin
French, 1848–1903
Follow

A pioneer of the Symbolist art movement in France, Paul Gauguin is renowned for his “savage” art depicting sumptuous Tahitian women, nude bathers and haystacks in the Breton landscape, and decorative door panels around his hut on the Marquesas Islands in French Polynesia. Although Gauguin began his artistic career with the Impressionists in Paris, during the 1880s he sought to escape from Western civilization—first moving to Brittany and Arles in France, where he met Van Gogh, and then to French Polynesia—in search of a paradise were he could create pure, “primitive” art. “There is no such thing as exaggeration in art,” wrote Gauguin in 1885. “And I even believe that there is salvation only in extremes.”

Paul Gauguin

The Red Cow, 1889

Oil on canvas
35 3/4 × 28 3/4 in
90.8 × 73 cm
Want to sell a work by this artist? Consign with Artsy.
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