Paul Laffoley, ‘THE RENOVATIO MUNDI’, 1977, Kent Fine Art

Subject: The Renewal of the World.

Symbol Evocation: The Inverse of the Garden of Eden (World Utopia).

Comments: If a single influence could be identified for the Gothic poet Dante Aligheri, it would be the Cistercian mystic Joachim of Fiore (1135–1202 CE). His doctrines were especially popular among the “Spiritual” Franciscans, a conventicle of which Dante was a lay member. He appears in Il Paradiso, Canto 12: “And here beside me shines the Calabrian abbot Joachim whose soul was given the power of prophecy.” His reward in the afterlife is in The Heaven of the Sun: the second circle of lights (i.e., the outer Augustian ring of stars; Joachim is big star number 12, his favorite number). The message of Joachim is the Sabbatum Fidelium (the final rest of the faithful in the renewed world). It is the dispensation of the Holy Spirit as world Utopia, where heaven and earth are at last united. Considering the Bible as two dispensations as any Christian believer would, Joachim separated the entire Bible into three historical parts: the Old Testament, the New Testament, and the Book of Revelation. Each part, although understood separately, is actually organically related to the others like Grecian ornamental frets—growing one out of the other. Also each part represents a particular spiritual condition of the world—from the beginning to the end of time: the Age of the Law, the Age of the
Gospel, and finally the Age of the Spirit. He identified exact dates of various cosmic events and named those responsible. The concepts of the historical “Rapture” and “Tribulation” are just two of his religious inventions. All
present-day evangelical Christians owe him an enormous debt. The descriptions he wrote of the New Jerusalem descending and hovering over the Dead Sea in Palestine are the literal beginning of modern science fiction. Father Pierre Teilhard de Chardin (1881–1955) had fewer problems with the papacy in terms of heresy than Joachim. Nevertheless, Dante composed the entire Divine Comedy on the basis of Joachim’s Byzantine mathematics.

Image rights: Kent Fine Art and Paul Laffoley

"Paul Laffoley: Structured Singularities". Kent Gallery, New York 1989.

"Architectonic Thought-Forms: A Survey of the Art of Paul Laffoley". Austin Museum of Art and Design, Austin, TX, 1999. Curated by Elizabeth Ferrer.

"Paul Laffoley: Mind Physics". Kent Gallery, New York, 2007.

Paul Laffoley. "The Phenomenology of Revelation", ed. Jeanne Marie Wasilik. New York: Kent Fine Art, 1989, pp. 20–21, ill. p. 21 (color).

Paul Laffoley, Jeanne Marie Wasilk, and James Mahoney. "Architectonic Thought-Forms: Gedankenexeriemente in Zombie Aesthetics". Austin, TX: Austin Museum of Art, 1999, ill. p. 55, cat. no. 9 (color).

Yau, John. “Paul Laffoley: Speculations in Mindphysics, Work in the Visionary Genre.” Grand Street 60 [Paranoia issue], 1997, ill. p. 207.

About Paul Laffoley

American, 1935-2015, Cambridge, MA, United States, based in Boston, MA, United States