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sheet (trimmed to image): 40.1 x 32.4 cm (15 13/16 x 12 3/4 in.)

Medium
Image rights
Courtesy National Gallery of Art, Washington

A celebrated Post-Impressionist and Divisionist painter, Paul Signac is known for his luminous depiction of subjects ranging from cabaret performers to seascapes. Signac is famous for his use of Divisionism (the central practice of Neo-Impressionism), a rigorous method invented in 1884 by his close friend Georges Seurat, in which colors are applied to the canvas separately in dots or dabs, blended later through the viewer’s own visual process—a technique Signac exploited to particularly radiant effect. Before the advent of Divisionism, Signac’s style more closely resembled the Impressionism of Camille Pisarro and Claude Monet, the latter’s work significantly influencing Signac in his early career. Signac’s bold sense of color would in turn be an inspiration to the Fauvists André Derain and Henri Matisse, as well as Vincent Van Gogh, whom he counted among his friends.

High auction record
£19.5m, Christie's, 2019
Collected by major museums
Museum of Modern Art (MoMA), National Gallery of Art, Washington, D.C., Indianapolis Museum of Art at Newfields
Selected exhibitions
2021
Postcards from FranceBAILLY GALLERY
2017
Paris, Fin de Siècle: Signac, Redon, Toulouse-Lautrec, and Their ContemporariesGuggenheim Museum Bilbao
2016
Delacroix and the Rise of Modern ArtThe National Gallery, London
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The Buoy (La bouée), 1894

6-color lithograph
15 13/16 × 12 3/4 in
40.2 × 32.4 cm
Permanent collection
Location
Washington
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sheet (trimmed to image): 40.1 x 32.4 cm (15 13/16 x 12 3/4 in.)

Medium
Image rights
Courtesy National Gallery of Art, Washington

A celebrated Post-Impressionist and Divisionist painter, Paul Signac is known for his luminous depiction of subjects ranging from cabaret performers to seascapes. Signac is famous for his use of Divisionism (the central practice of Neo-Impressionism), a rigorous method invented in 1884 by his close friend Georges Seurat, in which colors are applied to the canvas separately in dots or dabs, blended later through the viewer’s own visual process—a technique Signac exploited to particularly radiant effect. Before the advent of Divisionism, Signac’s style more closely resembled the Impressionism of Camille Pisarro and Claude Monet, the latter’s work significantly influencing Signac in his early career. Signac’s bold sense of color would in turn be an inspiration to the Fauvists André Derain and Henri Matisse, as well as Vincent Van Gogh, whom he counted among his friends.

High auction record
£19.5m, Christie's, 2019
Collected by major museums
Museum of Modern Art (MoMA), National Gallery of Art, Washington, D.C., Indianapolis Museum of Art at Newfields
Selected exhibitions (3)
Other works by Paul Signac
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