Paula Modersohn-Becker, ‘Selbstbildnis nach halblinks, die Hand am Kinn (Self-Portrait Turned to the left with Her Hand at Her Chin )’, 1906, Louisiana Museum of Modern Art

Image rights: Courtesy Louisiana Museum of Modern Art

"Paula Modersohn-Becker"

Venue: Louisiana Museum of Modern Art, Humlebæk (2014-2015)

Collection: Niedersächsisches Landesmuseum Hannover – Leihgabe aus Privatbesitz

About Paula Modersohn-Becker

A pioneer of modern art in Europe and the first woman to paint a full-length nude self-portrait, Paula Modersohn-Becker favored simple forms and complex textures created by scratching into sculpted paint on canvas. Modersohn-Becker trained under Fritz Mackensen in the Worpswede artists’ colony, alongside artists such as Heinrich Vogeler and novelist Rainer Maria Rilke. Her unique visual language—a synthesis of post-impressionist styles balancing French formalism with a German aesthetic—is marked by humanistic representations of local villagers. Drawn to the vibrant Parisian art culture, Modersohn-Becker was influenced by artists like Paul Cézanne and Paul Gauguin, as well as by classical painting. Modersohn-Becker’s nude self-portrait, painted just prior to her death, had no precedent—male or female—and celebrated the female body in a straightforward, unembellished manner.

German, 1876-1907, Dresden, Germany, based in Bremen and Paris