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Peter Doig

Country Rock, from 100 Years Ago, 2000-01

Etching in colors, on Hahnemühle paper, with full margins.
36 7/10 × 47 4/5 in
93.3 × 121.3 cm
Edition 12/46 + 6AP
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About the work
Bibliography
P
Phillips

I. 27 3/4 x 39 1/8 in. (70.5 x 99.4 cm)
S. 36 3/4 x 47 3/4 in. (93.3 x 121.3 cm)

I. 27 3/4 x 39 1/8 in. (70.5 x 99.4 cm)
S. 36 3/4 x 47 3/4 in. (93.3 x 121.3 cm)

Signature
Signed and numbered 12/46 in pencil (there were also 6 artist's proofs), published by Paragon Press, London, framed.
Peter Doig
English, b. 1959
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Peter Doig’s enigmatic paintings are characterized by their captivating combination of figurative depiction and dreamlike quality. Doig draws on personal memories from his childhood in Canada, as well as imagery sourced from photographs and films, to craft images that exist in fantastical, timeless spaces that feel both personal and universal. In Concrete Cabin (1994), one of Doig’s many depictions of Le Corbusier’s modernist apartment buildings, Doig depicts the pristine architectural monument against a dense, ominous forest, creating an uncanny tension that is integral to Doig’s work.

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view
View in room
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Save
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view
View in room
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About the work
Bibliography
P
Phillips

I. 27 3/4 x 39 1/8 in. (70.5 x 99.4 cm)
S. 36 3/4 x 47 3/4 in. (93.3 x 121.3 cm)

I. 27 3/4 x 39 1/8 in. (70.5 x 99.4 cm)
S. 36 3/4 x 47 3/4 in. (93.3 x 121.3 cm)

Signature
Signed and numbered 12/46 in pencil (there were also 6 artist's proofs), published by Paragon Press, London, framed.
Peter Doig
English, b. 1959
Follow

Peter Doig’s enigmatic paintings are characterized by their captivating combination of figurative depiction and dreamlike quality. Doig draws on personal memories from his childhood in Canada, as well as imagery sourced from photographs and films, to craft images that exist in fantastical, timeless spaces that feel both personal and universal. In Concrete Cabin (1994), one of Doig’s many depictions of Le Corbusier’s modernist apartment buildings, Doig depicts the pristine architectural monument against a dense, ominous forest, creating an uncanny tension that is integral to Doig’s work.

Peter Doig

Country Rock, from 100 Years Ago, 2000-01

Etching in colors, on Hahnemühle paper, with full margins.
36 7/10 × 47 4/5 in
93.3 × 121.3 cm
Edition 12/46 + 6AP
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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