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Peter Halley

Untitled, 1991

Mixed media painting in colors, on graph paper
18 × 22 1/5 in
45.7 × 56.5 cm
Bidding closed
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About the work
Exhibition history
Provenance
P
Phillips

Works on Paper from the Schulhof Collection

Framed

Works on Paper from the Schulhof Collection

Framed

Signature
Signed and dated in pencil
Peter Halley
American, b. 1953
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Having emerged in New York’s East Village Art scene in the early 1980s, Peter Halley is best known for his brightly colored, geometric paintings made of Roll-a-Tex, a textured paint used for decoration, as well as florescent Day-Glo paints. Developing his own visual lexicon, Halley engages in a play of relationships between what he calls “prisons” and “cells”—composed of rectangular shapes and vertical bars—evocative of geometric networks from the urban grid to high-rise apartment buildings to electromagnetic conduits. While his rigid planes of color, unitary shapes, and non-hierarchical compositions nod toward Minimalism, by transforming the Minimalist square into a prison cell, Halley’s works call the supposed neutrality of such art into question.

Save
Save
view
View in room
share
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Save
Save
view
View in room
share
Share
About the work
Exhibition history
Provenance
P
Phillips

Works on Paper from the Schulhof Collection

Framed

Works on Paper from the Schulhof Collection

Framed

Signature
Signed and dated in pencil
Peter Halley
American, b. 1953
Follow

Having emerged in New York’s East Village Art scene in the early 1980s, Peter Halley is best known for his brightly colored, geometric paintings made of Roll-a-Tex, a textured paint used for decoration, as well as florescent Day-Glo paints. Developing his own visual lexicon, Halley engages in a play of relationships between what he calls “prisons” and “cells”—composed of rectangular shapes and vertical bars—evocative of geometric networks from the urban grid to high-rise apartment buildings to electromagnetic conduits. While his rigid planes of color, unitary shapes, and non-hierarchical compositions nod toward Minimalism, by transforming the Minimalist square into a prison cell, Halley’s works call the supposed neutrality of such art into question.

Peter Halley

Untitled, 1991

Mixed media painting in colors, on graph paper
18 × 22 1/5 in
45.7 × 56.5 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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