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Philip Evergood, ‘Eat More Cranberries’, ca. 1938, Caldwell Gallery Hudson
Philip Evergood, ‘Eat More Cranberries’, ca. 1938, Caldwell Gallery Hudson
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Philip Evergood

Eat More Cranberries, ca. 1938

Oil on masonite
26 × 40 in
66 × 101.6 cm
This is a unique work.
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About the work
Exhibition history
Provenance
Medium
Painting
Signature
Hand-signed by artist
Philip Evergood
American, 1901–1973
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For Philip Evergood (born Philip Blashki), painting was a form of social protest. In 1923, he studied at the Art Students League under George Luks, where he began painting contemporary life with artists John Sloan and Reginald Marsh. But it was the Great Depression that inspired the most drastic change in the artist’s oeuvre, as he turned to drawing horrific scenes of poverty directly from the city’s streets. At the same time, he became an advocate for social change, serving as managing supervisor of the New York WPA easel project and president of the Artists Union. More concerned with conveying emotion than beautiful composition, and influenced by El Greco, Paul Cézanne, and the Surrealists, he used what he described as “the nasty color or sickly color, the sweet color or violent color or pretty-pretty-dolly color that will express the mood of what I’m trying to put over.”

Philip Evergood, ‘Eat More Cranberries’, ca. 1938, Caldwell Gallery Hudson
Philip Evergood, ‘Eat More Cranberries’, ca. 1938, Caldwell Gallery Hudson
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share
About the work
Exhibition history
Provenance
Medium
Painting
Signature
Hand-signed by artist
Philip Evergood
American, 1901–1973
Follow

For Philip Evergood (born Philip Blashki), painting was a form of social protest. In 1923, he studied at the Art Students League under George Luks, where he began painting contemporary life with artists John Sloan and Reginald Marsh. But it was the Great Depression that inspired the most drastic change in the artist’s oeuvre, as he turned to drawing horrific scenes of poverty directly from the city’s streets. At the same time, he became an advocate for social change, serving as managing supervisor of the New York WPA easel project and president of the Artists Union. More concerned with conveying emotion than beautiful composition, and influenced by El Greco, Paul Cézanne, and the Surrealists, he used what he described as “the nasty color or sickly color, the sweet color or violent color or pretty-pretty-dolly color that will express the mood of what I’m trying to put over.”

Philip Evergood

Eat More Cranberries, ca. 1938

Oil on masonite
26 × 40 in
66 × 101.6 cm
This is a unique work.
Contact For Price
Have a question? Visit our help center.
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