Philippe Decrauzat, ‘Black Should Bleed to Edge (Red)’, 2012, Galeria Nara Roesler
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Philippe Decrauzat

Black Should Bleed to Edge (Red), 2012

Acrylic paint on canvas
75 1/5 × 86 3/5 × 1 2/5 in
191 × 220 × 3.5 cm
.
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Location
São Paulo, Rio de Janeiro, New York
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Philippe Decrauzat
Swiss, b. 1974
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Philippe Decrauzat professes an interest in the “direct relationship Op art provides to the viewers and the way it influences their minds.” Decrauzat's monochromatic, geometric sculptures, wall paintings, and installations are rooted in the traditions of Op art and Minimalism established in the 1960s and ’70s. Yet in subtly manipulating the relationships between his artworks and the spaces in which they are situated—arranging his works as a sort of navigational tool in a gallery, or arraying stripe paintings to create effects of light and shadow—Decrauzat imbues his historically rooted work with a 21st-century sensibility.

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Philippe Decrauzat, ‘Black Should Bleed to Edge (Red)’, 2012, Galeria Nara Roesler
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Philippe Decrauzat
Swiss, b. 1974
Follow

Philippe Decrauzat professes an interest in the “direct relationship Op art provides to the viewers and the way it influences their minds.” Decrauzat's monochromatic, geometric sculptures, wall paintings, and installations are rooted in the traditions of Op art and Minimalism established in the 1960s and ’70s. Yet in subtly manipulating the relationships between his artworks and the spaces in which they are situated—arranging his works as a sort of navigational tool in a gallery, or arraying stripe paintings to create effects of light and shadow—Decrauzat imbues his historically rooted work with a 21st-century sensibility.

Philippe Decrauzat

Black Should Bleed to Edge (Red), 2012

Acrylic paint on canvas
75 1/5 × 86 3/5 × 1 2/5 in
191 × 220 × 3.5 cm
.
Contact For Price
Location
São Paulo, Rio de Janeiro, New York
Have a question? Visit our help center.
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