Philippe Parreno, ‘Tino Sehgal’s Annlee, drawn at Palais de Tokyo’, 2013, Palais de Tokyo
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Tino Sehgal’s Annlee, drawn at Palais de Tokyo, 2013

Pencil on paper
Location
Paris
About the work
Medium
Drawing, Collage or other Work on Paper
Image rights
Palais de Tokyo, Paris. © Florent Michel / 11h45
Philippe Parreno
French-Algerian, b. 1964
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Philippe Parreno's multidisciplinary work draws from relational aesthetics, prioritizing the orchestration of social exchanges and situations over the creation of art objects. He is known for his "Marquee" installations of flashing light bulb arrangements, a version of which appeared over the Guggenheim's entrance for its 2008 "theanyspacewhatever" exhibit, as well as for his often-collaborative film and video works. In Zidane: A 21st-Century Portrait (2006), Parreno worked with artist Douglas Gordon and Scottish band Mogwai to create a mesmerizing, conceptual documentary of the French soccer star based on his movements in one game. June 8, 1968 (2009) is a lush re-staging of the day Robert Kennedy's body was transported by train from New York to Washington, DC, for burial, closely drawing from photojournalist Paul Fusco's images.

Philippe Parreno, ‘Tino Sehgal’s Annlee, drawn at Palais de Tokyo’, 2013, Palais de Tokyo
Save
Save
Share
Share
About the work
Medium
Drawing, Collage or other Work on Paper
Image rights
Palais de Tokyo, Paris. © Florent Michel / 11h45
Philippe Parreno
French-Algerian, b. 1964
Follow

Philippe Parreno's multidisciplinary work draws from relational aesthetics, prioritizing the orchestration of social exchanges and situations over the creation of art objects. He is known for his "Marquee" installations of flashing light bulb arrangements, a version of which appeared over the Guggenheim's entrance for its 2008 "theanyspacewhatever" exhibit, as well as for his often-collaborative film and video works. In Zidane: A 21st-Century Portrait (2006), Parreno worked with artist Douglas Gordon and Scottish band Mogwai to create a mesmerizing, conceptual documentary of the French soccer star based on his movements in one game. June 8, 1968 (2009) is a lush re-staging of the day Robert Kennedy's body was transported by train from New York to Washington, DC, for burial, closely drawing from photojournalist Paul Fusco's images.

Tino Sehgal’s Annlee, drawn at Palais de Tokyo, 2013

Pencil on paper
Location
Paris
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