RG
RJD Gallery
Romeo
Medium
Signature
Hand-signed by artist
Certificate of authenticity
Included (issued by gallery)

In his oil paintings and mixed-media works, artist Philip Thomas combines the imagery and traditions of the Old Masters with contemporary textures and patterns to create a new iconography. As a starting point for these cross-cultural conversations, Thomas looks to the model of the French academies, plucking techniques (like oil painting on stretched canvas) and imagery (such as toreadors in elaborate costumes, silhouetted portraits, elaborately staged arrangements of figures) not only as formal elements, but also as relics of art history, offering a statement on colonialism and its aftermath, especially in his native Caribbean. “You want a way to lure people into the image, and then it unfolds itself, like a very slow car crash,” he says. “I try in many ways to present the audience to themselves.”

Selected exhibitions
2021
All Roads Lead to ART!RJD Gallery
2020
On The HorizonRJD Gallery
2013
Objects of DesireRJD Gallery
View all

Selves Portrait, 2015

Oil on Canvas
69 1/2 × 47 3/4 in
176.5 × 121.3 cm
.
$28,000
Location
Romeo
Certificate
This work includes a certificate of authenticity.
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RG
RJD Gallery
Romeo
Medium
Signature
Hand-signed by artist
Certificate of authenticity
Included (issued by gallery)

In his oil paintings and mixed-media works, artist Philip Thomas combines the imagery and traditions of the Old Masters with contemporary textures and patterns to create a new iconography. As a starting point for these cross-cultural conversations, Thomas looks to the model of the French academies, plucking techniques (like oil painting on stretched canvas) and imagery (such as toreadors in elaborate costumes, silhouetted portraits, elaborately staged arrangements of figures) not only as formal elements, but also as relics of art history, offering a statement on colonialism and its aftermath, especially in his native Caribbean. “You want a way to lure people into the image, and then it unfolds itself, like a very slow car crash,” he says. “I try in many ways to present the audience to themselves.”

Selected exhibitions (3)
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